Equalizer in a Hi Fi system


Just curious to hear everyone’s opinions on using an equalizer in a high end hi fi system. Was at work tonight and killing time and came across a Schitt Loki max $1500 Equalizer with some very good reviews. What are some of the pros / Benefits and cons in using one. Just curious. BTW. I’m talking about a top of the line. Hi end equalizer. Mostly to calm some high frequencies and some bad recordings. 

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Showing 4 responses by dgarretson

I have nothing to add to this interesting discussion except for another vote for the Manley Massive Passive. I purchased the latest version with switching power supply, initially to complement a custom speaker with a Purify 6.5" mid woofer and matching passive radiators that handle LF boost well enough to produce high quality bass to 30hz. Over time I’ve used all bands of the Manley with excellent results.

After break-in and experience on how to optimize its relatively complex and sometimes counter-intuitive controls, the Manley piece has become an essential component. It is a bit fiddly to tweak, and once set up properly, wants mostly to be left alone. It has a clean, open sound with tube characteristics that don’t sound "toobie." No hiss on top.

Of course it is well vetted by mastering pros-- which encouraged me to skip past lots of cheaper solutions.

I’ll add that at this level of performance, a studio equalizer is a seductive and cost-effective opportunity to improve a system without endless component and cable swaps. Perhaps an endpoint.

Esoteric K-O1x w/Rubidium clock>SOtM>AtmaSphere MP-1 or Goldpoint balanced passive>Pass XA-160.8 monos or modified BAT VK-75SE.
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@tlcocks , thanks. I ventured into the Manley analog equalizer for home use by thinking of a Cello Palette, but stripped of the often degrading presence of OP amps. (Never heard one, however, so no harm no foul.) It is interesting that Mark Levinson, who began with the notion of hi-end audio as "a wire with gain", ended up marketing an equalizer preamp... Also, though not inexpensive, the Manley piece reflects the value proposition of pro studio gear, without the price-to-market premiums typically associated with high-end home audio. Which leads me to question of what’s inside the new McIntosh piece. I haven’t found any details. Has anyone looked inside?

I'll check it out.  I deleted my system profile several years back after a hack into my Audiogon account with attempted fraud.