The 868 isn’t the same, similar line stage perhaps but a hybrid FET-tube phono stage as opposed to all tube LR phono stage, 4 tubes in the unit vs 5 and you lose the flexibility. Some misinformation out there that these are the same, but they aren’t.
EAR 912 impression
To continue my previous thread on Ayre and DartZeel combo, I stumbled across EAR 912 full function pre amp.
Stereophile and Postive Feedback had both reviewed the pre and Positive Feedback gave it the highest recommendation. I am not crazy about the styling, but I like it better than ARC Ref 3 by a mile. EAR also offers flexible input and output, the output is wired with tranny which is very rare in high end audio pre if not unique. Phono section is also super flexible.
I heard it in a system that was completely new to me and system consisted of Gryphon Colosseum, Gryphon Mirage, Viola CDP, and Gryphon Atlantis. The room was filled with gears and speakers, I did not have any CD I was familiar with either. Compared to Gryphon Mirage, Mirage was a tad more transparent, soundstage was a bit wider, and that was all I could make out. EAR did not have as much air as I expected, I also thought the top end extension could be improved but the machine was stone cold. Bass and dynamic extension were like what Positive Feedback described, big and bold. Midrange, like bass, was ready to jump out and had plenty of details.
I really could not make out more in that 20 min of audition. Since I am still on my oversea assignment, I don't have my main system with me to compare to (SF Line 3SE+). What are your opinions of this fine pre amp? How does the phono stage compares to SOTA phono like Einstein, BAT VK-P10SE, or ASR?
Any input is appreciated.
Stereophile and Postive Feedback had both reviewed the pre and Positive Feedback gave it the highest recommendation. I am not crazy about the styling, but I like it better than ARC Ref 3 by a mile. EAR also offers flexible input and output, the output is wired with tranny which is very rare in high end audio pre if not unique. Phono section is also super flexible.
I heard it in a system that was completely new to me and system consisted of Gryphon Colosseum, Gryphon Mirage, Viola CDP, and Gryphon Atlantis. The room was filled with gears and speakers, I did not have any CD I was familiar with either. Compared to Gryphon Mirage, Mirage was a tad more transparent, soundstage was a bit wider, and that was all I could make out. EAR did not have as much air as I expected, I also thought the top end extension could be improved but the machine was stone cold. Bass and dynamic extension were like what Positive Feedback described, big and bold. Midrange, like bass, was ready to jump out and had plenty of details.
I really could not make out more in that 20 min of audition. Since I am still on my oversea assignment, I don't have my main system with me to compare to (SF Line 3SE+). What are your opinions of this fine pre amp? How does the phono stage compares to SOTA phono like Einstein, BAT VK-P10SE, or ASR?
Any input is appreciated.