Does the first reflection point actually matter??


Hello my friends,

So please read the whole post before commenting. The question is nuanced.

First, as you probably know I’m a huge fan of the well treated room, and a fan boy of GIK acoustics as a result, so what I am _not_ arguing is against proper room treatment. I remember many years ago, perhaps in Audio magazine (dating myself?) the concept of treating the first reflection points came up, and it seems really logical, and quickly adopted. Mirrors, flashlights and lasers and paying the neighbor’s kid (because we don’t have real friends) to come and hold them while marking the wall became common.

However!! In my experience, I have not actually been able to tell the difference between panels on and off that first reflection point. Of course, I can hear the difference between panels and not, but after all these years, I want to ask if any of you personally know that the first reflection point really matters more than other similar locations. Were we scammed? By knowing I mean, did you experiment? Did you find it the night and day difference that was uttered, or was it a subtle thing, and if those panels were moved 6" off, would you hear it?


Best,


Erik
erik_squires

Showing 1 response by jacksky

If I recall...Richard Hardesty’s white papers claimed that first reflections from side walls are the most harming due to confusing the brain as far as timing.
reflections off the floor result in excessive brightness and reflections off the ceiling don’t affect anything at all.
in my case, the room leans towards bare and lacks treatment but I don’t find the resulting sound overly bright. Nor do I have a problem with bass boom.  It did take quite a bit of experimentation with speaker placement to get here. 
Erik, here’s a test: if you could swivel deadening/diffusion panels at first reflection point so they are not parallel to the wall they are mounted on....say 15-20 degrees ( closest side to speaker 4” off the wall and side closest to listener touching the wall) this should throw the reflection to the back of the room, away from normal listening positions in the middle of the room, would this mimic the openness of a staged hall? Sucking the sound out and around?