does mixing kill the soundstage?


All this talk about "soundstage" gets me to thinking how in the world do we hear an accurate (or even close) soundstage on anything other than live, acoustic, performances recorded by just 2 mics with no mixing. Why would you even *hear* where a singer is if they are being recorded by a mic right in front of them that is recorded, most likely, seperately from anything else? They run all these different tracks (vocals, drums, guitar, whatever), changing the volume of each one to get the best *sound* Why would this not create a total mess? I guess I know nothing about how the recording process is done, but just off the top of my head it seems like almost everything would just be a garbled mess, which alot are, but some are not and I KNOW they are mixed somewhere down the line. Am I missing something? That being said how does one find good quality live, acoustic recordings that DO have a great soundstage? I listen to just about every type of music under the sun so I am not picky. I just want 50-75 good CDs that will send chills down my spine......
a71spud

Showing 1 response by frap

Slartibart, How much longer do you think we will be able to buy analog tape? When 3M stopped manufacturing, it was a real wake up call. Now I know the 499 and GP-9 Quantegy/Ampex tape formulation is the best you can buy, but other than BASF,(which I dont think is as good sonically, but boy do they know how to precision slit the tape!!!!)there is no one left. This is a pretty ominous sign for the future. What do you think?
Regarding Ampex vs. Studer, The ATR Transport, wins when Mike Spitz's mods at ATR Service Co. are applied. It simply is the lowest wow & flutter in the business. And then there's the incredible pinch rollerless design. Of course, as you know the 1/2" deck is 5db quieter than 1/4", so I can only imagine a full 1/2" width per stereo track. It must be devastatingly incredible. I cant afford to switch though, as 1/2" is already too much money, as you point out............Frank