Do You Love Music or Do You Love Hi-Fi?


I know a lot of hi-fi enthusiasts who seem to have poor taste in music but can talk all day about their audio gear. I got into the high end audio hobby because of my love for music first and foremost, and this has done a pretty good job in guiding my decisions around what equipment to buy. Don't get me wrong, I Jones really hard on gear, but at the end of the day it's not about the gear but how great the music I love sounds on the gear I buy. I study music and learn all I can to discover new music to enjoy, regardless of the genre, but I am certain that I will not be investing in the latest Jennifer Warnes vinyl re-issues. I also wonder why Mo-Fi issued the first three Foreigner albums on vinyl. Are there really that many hard core audiophiles asking for this? There are so many great recordings that are begging for the high end vinyl treatment, it makes me wonder who these people are making decisions about what to release on these labels? I'm sure the entire Don Henley catalog is coming soon from one of these labels.
OK, I'm done ranting, but I really do want to hear what others think about this. Or is it just me? Is it about the gear or is it about the music for you?
snackeyp

Showing 3 responses by kevvwill

Probably the best answer is that hi-fi should be used to get closer to the music. Good sound serves good music, but you shouldn't need good sound to enjoy good music.

The problem with dudus audiophilus is that if "some" is good, then "more" must be better. And off you go, on the quest for that final percent. I will never forget taking a friend to the Chicago Symphony Orchestra (main floor, center section, back third .... killer sound), and he said "That's not the sound I want!"

So after I finished laughing, I said "But that IS the sound!" We talked some more, and he asked me how I could be so happy with my system and never change anything, and I said "Because I have the music, and it sounds really good."

People drive themselves crazy trying to get a system that sounds like a live musical event, which is impossible. You think it's happened, then you go hear live music and say, "Uh, oh ...." There's a reason we go to concerts, right?

Reproduced sound is like looking at a photograph, in that it arouses memories of the actual event. You can get those memories whether you're listening to a song that you've downloaded to your smart phone, or via a home audio rig that costs as much as a luxury car. Who hasn't driven around the block to finish off a favorite song in the car?

For me, the music is the point, whatever form it takes. Once, I played my much-loved LP copy of Husker Du's "Land Speed Record" live set for some audiophiles, and you should have heard the howls. But a high end system helps you get closer to the claustrophobic, over-the-top mood present that night in 7th Street Entry. The tunes are the thing.
Peterayer makes a fun point: "I find it interesting that most contributers to this thread don't have "system" links. Nor do they describe their music preferences."

I had the same system for 20+ years, and only changed it just now in the name of visual appeal. Should probably update that. As far as music preferences, I'm a true omnivore (audiovore?), so I'm not really categorizable that way, either. Everything is too simplistic, right?

I once did a "random" play on my portable, and listed the first 30 songs that came up. People thought I was kidding! It was everything from Haydn's "Nelson" mass to Faiz Ali Faiz (amazing qawwal, next Nusrat Ali Khan), the Minutemen, Olivia Newton-John, Melt-Banana, Sinatra, Wu-Tang, Peter Brotzmann etc, etc.

Great music is great music, and I try not to limit myself, like lots of folks, I imagine.
Hiho, actually it was the title track from "F*** de Boere," a long out-of-print disc that also contains an early version of the great "Machine Gun." I make a point of seeing Brotzmann every time he comes to Chicago which is, thankfully, very often thanks to his fondness for collaborating with the local players, such as Ken Vandermark, Hamid Drake, etc.