I use Kimber cables, recommended by the speaker maker, not necessarily the amplifier maker. I do not believe them to be high-capacitance.
The SA 100MKIII is very impressive in its ability to capture nuance and reveal internal lines in complex orchestral passages. It has great bass (delineation and control), fine dynamics, and very good timbral accuracy throughout the orchestral range. Add a huge and very broad image, with great height and depth, ignore the high running temperature and the heavy electrical drain and, if it weren't for this zinginess I've described, I'd be quite happy.
I might just experiment with speaker cables. Changes of interconnect have not helped.
The SA 100MKIII is very impressive in its ability to capture nuance and reveal internal lines in complex orchestral passages. It has great bass (delineation and control), fine dynamics, and very good timbral accuracy throughout the orchestral range. Add a huge and very broad image, with great height and depth, ignore the high running temperature and the heavy electrical drain and, if it weren't for this zinginess I've described, I'd be quite happy.
I might just experiment with speaker cables. Changes of interconnect have not helped.