The OP has a "high class problem".
Personally I err toward total resolution and let my mood determine how I interpret the recordings. Some days I sit there and think, "I wish they'd used a used a different mic on Blanchard's trumpet" or "I wish the bass wasn't in such a small isolation room" or "I wish she'd move away from the mic just a little", while other days I just think, "Wow, what a performance!" or "Listen to the air around those bass strings" or "Her voice is so expressive, and beautiful, even at a whisper".
When your system resolves well, you have an option of how to interpret it. When the system leaves things out or smooths over details, then you can only interpret things one way.
Still, it's a personal choice and only the OP can answer for himself.
Dave
Personally I err toward total resolution and let my mood determine how I interpret the recordings. Some days I sit there and think, "I wish they'd used a used a different mic on Blanchard's trumpet" or "I wish the bass wasn't in such a small isolation room" or "I wish she'd move away from the mic just a little", while other days I just think, "Wow, what a performance!" or "Listen to the air around those bass strings" or "Her voice is so expressive, and beautiful, even at a whisper".
When your system resolves well, you have an option of how to interpret it. When the system leaves things out or smooths over details, then you can only interpret things one way.
Still, it's a personal choice and only the OP can answer for himself.
Dave