Duane...Duane Duane Duane...I'm waiting for you to get to the calibration process. Yes you are boring me...with pamphlet rhetoric. To be perfectly honest, you sound like a Rives Audio brochure. Nothing against Rives...great knowledgeable people. But you have completely and totally tap danced around the question. You've only mentioned the following (put in a nutshell):
1)"After calculating room nodes and finding out how many people will be in the room most often and correcting construction material issues, (mismatched density issues in walls and ceilings), I find out listening levels and habits." "I then match a speaker to the room based on the rooms ability to present frequency extremes and sustained pressure level taking into account the speakers dispersion and the performance limitations it will have in relation to placement."
You've visited one of the many web sites that will calculate possible room modes, nodes, spikes, and dips for you. Then you consult various audio magazines, website reviews and write-ups for products that will "best suite" your clients tastes and wallets.
2)"When I find a speaker that has the right balance of trade offs, I determine the speakers character and weaknesses and I choose electronics that will boost up the weaknesses while leaving the strengths alone making the overall performance well balanced."
More audio reviews to consult.
3)"B & W speakers need solid state amps that have a lot of decay in the bass but are clean, have tube like highs above 8 KHz. and have a fast and foreword midrange. (BAT, Symphonic Line, Electrocompenet, Classe, to name a few.) Bad matches would be Krell, Levinson, Bryston, and Conrad Johnson."
You approach surround like 2Ch. Name dropping and such. So, you only recommend the products that you sell. The others are just bad matches. Besides, who needs to know electronics, when all you need to know is the product you wanna sell.
4)"After that is chosen, if there are any characteristics that the client loves the most, (Bass power, 3 dimensionality, airy or sparkle), I fine tune that part with the pre-pro and cables."
Another 2Ch approach.
Before you get up in arms, I am not anti-2Ch. However, let me point out this is surround sound.
The rest is just too much to copy and paste so I won't bother. In so many words, you move speakers for the next 4 of the 5 hours until you "lock in" the "sweet spot."
MC 101 - MC done properly...every spot in the sound field is the sweet spot!
So...that being said... do you at least auto calibrate your pre-pro/receiver?
Ohh..almost forgot
5)"Forgot to say that I run the center channel .5 db down because most movies are too hot in the center and I adjust the xover on the subs in 2 Hz increments and are usually riding between 24 and 32 Hz."
Your center is still too "hot" and you sub xover is too low. Care to explain why?
and of course...
6)"I then integrate the sub or subs by movement, phase, rake, and toe in."
I thought low frequencies, especially those handled by the sub, were omni-directional? From a non-distinguishable standpoint, that is.
I'm being a little tougher on you, yes I know. Thats because you're the professional and this site is dedicated to those who search for the answers in areas to include the pros. Just wondering if you can help us out. ;)
