Do cables really need "breaking in"?


The post about whether speaker cables matter has inspired me to ask another question...do cables really need a break in period to sound their best? Some people say cables need to be broken in or played for a while before they achieve optimal sound.

This sounds to me like it was invented by believers in astrology. Isn't that break-in period just allowing time for the human listener to get used to them? Has anyone ever done an A/B test with new cables vs. used cables of the same type and noticed a difference?

All I know is that new Porsche or new bed (or new girlfriend for that matter) feels totally different after you've had it for a month versus the first day. Ever moved into a house/apartment/hotel and noticed all kinds of distracting ambient noise that seemed to disappear after you'd been there for a while. It's human nature. Even if cables needed a break-in period, how could humans tell, with all these other much more noticeable factors distracting them?
matt8268

Showing 1 response by clueless

This is only half on pointbut I am a no count amateur speaker builder. But all of the guys I admire (Lynn Olson, George Short on and on) share at least two common traits.

1) They know all of the numbers and formulas and put great store in them. In this sense I get very tired of folks who talk about "cables" endlessly and NEVER about the design parameters used by cable makers and how it combines with a system. And why these designs cost so much $$$. If you have a speaker that has ridiculas load impedence (the old Quads and some others) that drop to under 2 ohms at high frequencies you have need certain needs in a cable. If you have a SET you have capacitance issues. If you have an ELS you have inductance issues...on and on. I feel a lot of stuff magically attributed to "cables" can be thought through and figured out without dropping ridiculas amounts of cash and chasing the latest gimmick that is thrown at us by the cable industry.

2)Knowing the numbers and respecting them, they know that the formulas just do not work. a) The cross over equations do not work, b)the frequency response curves are taken under artificial conditions, c) the Thiele/Small numbers given by most manufactureers are way off... on and on. That is, measurments, at least as we take them now,just do not tell the whole story. Another example of this phenom is why do SETS sound so good when they have such poor numbers(3 watts and THD .05). Again these examples can go on and on.

These guys spend endless hours tweaking by ear. Read Olson's account of how he developed the crossover for the Ariel.

Its the old joke about the two guys in the life boat arguing over which orr to keep in the water. You need both or you row in circles. You need to respect the numbers and such but in the end you have to listen too. The whole argument about numbers vs ears is, to me, idiotic and unproductive. You need both.

That being said I think There is so much fantastic hype and marketing around cables that it is a turn-off. The industry has not produced anything to justify the COST. (I am not saying all cables sound alike!!!) Well designed cooper suits me fine (I make my own).

By the way I do not feel thinking about how 18 inches of wire (the last .015%) overcomes a typical Audio chain that includes 100 opamps, dozens of connectors,and hundreds of yard of ordinary cable (I'm talking just the recording chain here-not the juice to your to your house) makes me a member of the flat earth society.

Sincerely, I remain