Digital as good or better than YOUR analog?


Just curious how many here believe they have surpassed the performance of their analog sources; aliveness, ease, depth, grainlessness, delicacy, scale etc. with their redbook cd playback. I'm closer than ever. I call my digital playback, power analogue, and with the latest technology for less and less money I would love to hear how others are percieving the measures of; palpability(music breathes with naturalness), seductiveness, shadings of recording room que's, vibrancy, etc. with their standard CD digital playback. Thanks
after_hrs

Showing 7 responses by psychicanimal

I don't know! My goal is to make my analog and digital rigs sound *closer* to each other--not one better than the other. I am doing more mods to my Technics 1200 and my belt drive transport is in the hands of Dan Wright for a very serious modding job. When everything is set I'll find out how close I got one to the other...

With psychic power and primal intensity,
Yesterday I phoned Jahaira (José García) after finishing prepping my sytem with Silclear silver paste and I was playing a classic 1978 LP recording of La Sonora Ponceña--a top notch, hardcore salsa band that's been around for thirty years or so. It was sounding so good and crisp that José asked me if I was playing the CD version. I replied that I had found a NM, but warped copy in eBay but that my KAB modded Groovemaster was negociating them warps successfully.

The sound coming out is very low in noise, crisp, with a fast attack speed and well outlined voices & instruments plus excellent dynamics and strong, tight bass and percussion--just like with CDs. Later on I was playing Pat Benatar's Heartbreaker album and then it was very evident how close that sound was to digital.

I did it.

Let's see what Dan Wright does to my belt drive transport. He promised to wow me in every way...

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Sorlowski, a CD/DVD's performance relies *heavily* on the quality of electricity being fed (including power cord) and the tuning system it uses (rack/shelving/cones and/or footers). Electricity and vibration induce jitter. Jitter causes harshness.

Albert's system is very well suited in the power delivery and tuning departments.

If you are not using any power filtration and/or audio grade power cords ( and cones/footers ) I strongly suggest you do so. Your musical presentation will change for the better. I have done this experiment w/ my niece's cheapo DVD player and the music changed from unlistenable to smooth and musical just using some Goldmund cones, an MDF board, Vibrapods, a PS Audio Juice Bar and my Jena Labs cryo'ed PC3 power cord w/ Highwire Wirewrap tuning device. True, all this gear was more expensive than the $99 DVD player--but it proved my point.

With psychic power and primal intensity,
Now I have to wait for Dan Wright's work on my digital belt diven "creature on steroids". He promised to WOW! me in every way...

I just don't know how close it will get to my current analog setup--which is sounding real close to digital!

Yesterday I talked to Robert Schult (RSA) and he knew all along what needed to be done to attain what I wanted. He just let me find out on my own and later on corroborate my findings. Far out!
Sorkowsi, good power delivery/noise control, tuning and room acoustics treatments are an integral part of a *systems* approach for your entire setup. Unless you do this right, you'll never get to reap the most of your money spent. End of story.

May the Force be with you.