Diff in recording/reproduction in Analog/CD/SACD


Without going in to too much technical details, is it possible to discuss why analog sounds better? (Although having limited analog auditions, I think digital could come very close). Starting from how the recordings are made-old and modern, and recorded ( signal type and quality) on master tape and how the mastertape signal is transfered/reduced/upsampled? on Records/CD/SACD.

Once we go thru the original signal waveform and its transfer on records/CD/SACD, how it is being reproduced thru cartridge/laser to DA/laser to DA?

I know details are very involving but is there clear consensus that anlog has the least curruption of the original signal? Does not different cartrideges designs reproduce the signal 'differently' than the original, adding its own coloring to the signal?

Is Analog clearly the winner in the battle?

I would really like to know if there is some material out there that discusses these three different mediums.

TIA.

Nil
nilthepill

Showing 1 response by bignerd100

And so the discussion plummets into the abyss.

Personal opinion is that a top notch analogue set up is more involving and does give me a better illusion that there are musicians in front of me.

To get such a set up is prohibitively expensive for most people though. A high quality vinyl rig can easily cost ten times what a comparable (though not better) digital rig costs. Add to that the convenience of CD's or WAV files and you have a clear winner in the mass market race. Plus a high quality record with a couple of irremovable pops will squash the illusion pretty fast for me.

As far as different playback means imprinting their own signature we could start a similar debate on tubes v. solid state. Albertporter makes some valid observations above.

As far as any empirical "best" we all know that this hobby is about seeking the finer shade of gray. Measurements on paper do not always translate into a better playback tool.

:)