DG Recordings


The music I listern most are Classic and Jazz. I have been reading discussions under music for a while. I got feeling that most people don't like Deutsche Grammophon recordings. some commented that they sound good only on low-fi system or in cars. I usually don't pay much attetion to labels, as long as I like the music. After read comments here, I looked my CDs and found many of my most favorate CDs were made by DG. Examples like

Vivaldi, The 4 seasons (Gil Shaham 1995) '4D recording'
Prokofiev/Bizet/Britten (1988, 423 624-2)
Mozart, Wind Serenades K. 375 & K. 388 (1991, 115273)
Domingo, Granada (1992, 445 777-2)
Yepes, Guitarra Espanola (1983)

Anne-Sophie Mutter played Carmen Fantasy recorded in DG's $D sampler is my all time favorate.

My system may not be hi-fi, but better than BestBuy/Circuit audios. AMC CD8B, Odyssey Stratos, Mirage OM-10.

Could you stereofile guys tell me - are the CDs listed above considered crap? Do I have taste problem or hearing problem? I listerned some stereofile recordings. Mapleshade-good engineer but they don't have music I like. Reference Recordings-I'm not sure I like their style. I still believe any of the record companies can have many good recordings.

I usually make a trip to mainland China every three years and randomly buy some records. Some chinese folk song CDs sound great-clean, good stereo image, very involving. But I cannot even trace the record companies. They may stay for only a short period of time.
aliu

Showing 1 response by detlof

I am all with Greg and Rcprince on this one. Generally DG's multimiking and processing techniques don't do the recording much good. The latest example is Abado's wonderful rendering of all the Beethoven Symphonies with the Berlin Philharmonic, which musically exiting, is sonically a disaster. On the other hand, as suggested above, some of their small ensemble stuff can be quite good. I have the Yepes recording, Aliu has mentioned on LP and I also find it very good indeed, as most of the Stravinsky Ballets on LP as well, done in the late 70, I think. I don't have them here, so I cannot say what conductor or orchestra. If of course, as TWL has mentioned, you are familiar with the early offerings of big orchestral music from Mercury or the RCA Shaded Dogs on LP, you are indeed spoilt for life as far as the sonics of tinned music is concerned. Cheers,