By The Way, since this thread revived here. I was able to do a side by side comparison of my DQ-20i's and Alon V mk. III's for a full week in my living room - thanks to a very nice fellow Audigoner who was selling the Alons locally. I rigged up a switch so all I had to do was click it with my right foot to swap back and forth for A/B testing. To keep it brief:
The Alons had noticeably better punch in the deep bass. Which is nice BUT, hands down, the Dahlquist midrange was much, much more accurate. I used to play classical guitar, practicing up to 8 hours a day, so I know EXACTLY what a guitar should sound like under various playing modes and the DQ-20's nail it. When A/B switching the coloration of the Alons was obvious.
The tweeter performance of the Alons was marginally better, but not in a significant way.
One thing that drove me crazy (a little) with the Alons was the more open baffle. This created excess "spaciousness" and wider soundstage where it didn't actually exist by bouncing the rear wave off the back wall - unless the speakers were really out into the room. I found that putting pillows over the rear cage dramatically improved the accuracy of the speakers.
The DQ's have a slight dip in the lower midrange which I had noticed previously when testing with an EQ/Analyser, and it was definitely VERY noticeable when A/B'ing in some isolated instances, to the point where it sounded like a viola was playing at half volume, but 97% of the time it was undetectable. It might be worth fixing that bug somehow.
These differences would be difficult to notice without the direct A/B, but there was no question I prefer the Dahlquist when switching back and forth. They are simply more natural.
I may experiment with upgrading the Caps and possibly even swapping into Alon woofers if they can be fit without too much bother.
The Alons had noticeably better punch in the deep bass. Which is nice BUT, hands down, the Dahlquist midrange was much, much more accurate. I used to play classical guitar, practicing up to 8 hours a day, so I know EXACTLY what a guitar should sound like under various playing modes and the DQ-20's nail it. When A/B switching the coloration of the Alons was obvious.
The tweeter performance of the Alons was marginally better, but not in a significant way.
One thing that drove me crazy (a little) with the Alons was the more open baffle. This created excess "spaciousness" and wider soundstage where it didn't actually exist by bouncing the rear wave off the back wall - unless the speakers were really out into the room. I found that putting pillows over the rear cage dramatically improved the accuracy of the speakers.
The DQ's have a slight dip in the lower midrange which I had noticed previously when testing with an EQ/Analyser, and it was definitely VERY noticeable when A/B'ing in some isolated instances, to the point where it sounded like a viola was playing at half volume, but 97% of the time it was undetectable. It might be worth fixing that bug somehow.
These differences would be difficult to notice without the direct A/B, but there was no question I prefer the Dahlquist when switching back and forth. They are simply more natural.
I may experiment with upgrading the Caps and possibly even swapping into Alon woofers if they can be fit without too much bother.