Well, Steinway 57, I've never auditioned any model of the Harbeths, but have read many positive as well as a few negative remarks about their speakers. The Daedalus is sort of a "new kid" on the block, but if you know the sound of the real thing (acoustic music), you cannot help but be impressed by the neutrality of the Daedalus. It doesn't matter what the history or pedigree of a speaker is if it can withhold from editorializing the signal it is fed. My guess is that a good many audiophiles might not rank it highly on first exposure as nothing stands out to grab your attention. It doesn't possess any rise in the treble to create a false sense of detail, and the bass response is extended but not elevated. If there is any imbalance (the key word here is "if"), it is in the bass and the way the speaker interacts with the room in the bottom end. Also, when new, the bass is the last thing to "come around", so one should have a good many hours before getting too carried away with fine tuning the placement or treating the room for bass anomalies.
As far as staging goes, it does not throw the kind of stage that a good dipole or open baffle speaker can create, but its staging is nonetheless of reasonable width and depth. It is not a speaker where the listener has to hold his/her head in a vice to get a stereo image--any seat on the sofa will do.
This is a speaker than can reproduce a piano in all its weight and dynamics. Having just returned from CES (no, the Daedalus was not on exhibt there), I feel confident in saying that I would probably have preferred listening to the Daedalus relative to 95% of the speakers I heard there, and this includes many speakers that were many times their cost. The Daedalus is a speaker for long-term listening as it does not fatigue.
I don't own Daedalus speakers and I don't know Lou Hinkley, but I do know a good speaker when I hear one. As an added bonus, the fit and finish of the speaker is exemplary. Anyone in the market for a speaker in that price range or above should give these an honest listen.
As far as staging goes, it does not throw the kind of stage that a good dipole or open baffle speaker can create, but its staging is nonetheless of reasonable width and depth. It is not a speaker where the listener has to hold his/her head in a vice to get a stereo image--any seat on the sofa will do.
This is a speaker than can reproduce a piano in all its weight and dynamics. Having just returned from CES (no, the Daedalus was not on exhibt there), I feel confident in saying that I would probably have preferred listening to the Daedalus relative to 95% of the speakers I heard there, and this includes many speakers that were many times their cost. The Daedalus is a speaker for long-term listening as it does not fatigue.
I don't own Daedalus speakers and I don't know Lou Hinkley, but I do know a good speaker when I hear one. As an added bonus, the fit and finish of the speaker is exemplary. Anyone in the market for a speaker in that price range or above should give these an honest listen.