Cowboy Junkies-Trinity Revisited...In deed


Has it really been twenty years since the release of the landmark album “The Trinity Sessions” by the Cowboy Junkies? Apparently so because “Trinity Revisited” is the 20th anniversary of that event.

WOW is what I have to say!!! This is an incredible recording. Margo’s voice is as pure and sweet as ever, but more refined, more powerful and more mature. The musicianship is second to none. This recording features some amazing guests as well. Ryan Adams, Vic Chestnutt, Jeff Bird and Natalie Merchant.

This set includes a CD and a DVD of the performance. I’ve been so taken with the CD that I haven’t even watched the DVD yet.

If you’re not a Cowboy Junkies fan or didn’t like the original “Trinity Sessions”, then you’ll probably not like this either, but do yourself a favor and at least listen to it. The recording space, The Church of the Holy Trinity has a very unique and special sound. The ambiance is incredible and on my system throws one of the deepest and WIDEST soundstages that I have ever heard. Kinda magical in my opinion.

That’s my story and I’m stickin’ to it…
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Showing 1 response by jax2

I posted about this release late last year...yes, the DVD is superb, both acoustically as well as visually. It is in widescreen format. Along with the entire session, beautifully lit, filmed and edited, it has an interview with the band and their original producer from The Trinity Session talking about the original recording and the evolution of the band. It is a must-have for any Cowboy Junkies fan, and stands on its own merits even though the actual material they perform is identical. Some of that comes from the three guest performers who join the band for this performance, including Natalie Merchant, Ryan Adams and Vic Chestnut. Some of it has to do with the way the band has matured after 20 years of performing together. Also, the original Trinity Session was recorded with the band playing (at Trinity Church in Toronto) around a single microphone. In this (Revisited) session all the performers are miked separately. The performance retains the superb atmospheric acoustics of the stone church (which the producer at one point mentions has "golden acoustic proportions"), but this recording has a denser presentation than the original (to my ears). Again, both stand on their own merit..both are excellent. Definitely add this one to your collection if you are a fan, and look into it if you have not heard them before.

Marco