Copy-protected CDs - philosophical discussion


My previous copy-protection thread probably deserves a follow-up since the issue is just as troubling ethically/legally/philosophically as it is technically.

Record companies are selling CDs which do not play on a PC's CD player. However, the CDs are not identified as such and, according to at least one source, may have trouble playing on high-end systems and car CD players.

Here's the news story:
http://news.cnet.com/news/0-1005-200-6604222.html

Here's an unofficial list of copy-protected CDs, authored by a guy whose opinion on the matter should be quite obvious:
http://fatchucks.com/corruptcds/corrupt.html

Reserving the technical discussion and "can you actually hear it" discussions for my previous thread, what are your feelings on the softer side of this issue, especially given the vast amount of software that we collectively gave/received over the past couple of weeks?

Don't hold back, now!

FWIW, my take is that this is just another case of technology scaring the crap out of a lumbering entrenched industry with severely dated business models because the geeks are infinitely smarter and more creative than the suits can ever hope to be. Just like the lawsuit against Napster, it may succeed in its immediate goal (for a month or so), but misses the real point completely. Alienating customers who are not criminals is bad business. For many of us Audiogoners, I imagine the presence of "all but inaudible" distortion on a recording is reason enough to avoid it like the plague. The music business is not about “clicks and pops”; it's about music.
powerste

Showing 1 response by frogman

With all due respect, the idea that once we buy a cd we own it and can do with it whatever we please is absurd. We are talking about copyrighted material and I find it interesting that in this entire discussion only one fleeting mention has been made of the rights of the artist. Every illegal copy that is made of a recording does in fact cheat the artist of income that he is entitled to by contract with the record company. Even in cases where not every copy sold means a piece for the artist, a recording's profitability definitely means better chances of another recording contract for that artist.

The unfortunately prevalent corporate greed should not be confused with the rights of artists; and while it is difficult to feel a whole lot of sympathy for pop artists who earn millions for putting out dreck, there are many especially in the jazz and classical fields, who are far from being properly compensated for work that is inspired and brilliant. There is a long history of abuse of artists and musicians by the industry and these artist's rights should be protected.

I believe that we are probably entitled to make copies of recordings for personal use; unfortunately there is a lot of copying going on that is not for personal use. As I left my relative's home a couple of days ago, he hands me a stack of copies of cd's that he made for me "for the road". A nice gesture to be sure, but I had to ask myself: "why on earth should these artists, and yes, even the record companies, not be compensated for their work?". I think they should.

As far as encrypting or watermarking is concerned, I don't know what the answer is. What a shame that we may have to deal with something that degrades the sonics of a musical project; as an audiophile I find that unacceptable. I suspect that a solution will be found; I can't believe that with the fact that more and more consumers are using their computer to play music, that the record companies will shoot themselves in the foot like that. I have not heard any watermarked CD's that I am aware of, so I will reserve judgement.

The last thing that I am interested in is helping corporations profit at the unfair expense of the consumer; but I am very interested in doing what I can to make sure that an artist receives the compensation that he/she is entitled to.

Happy New Year.