who cares about sonic quality issues? Man you're on the wrong board
Copy-protected CDs - philosophical discussion
My previous copy-protection thread probably deserves a follow-up since the issue is just as troubling ethically/legally/philosophically as it is technically.
Record companies are selling CDs which do not play on a PC's CD player. However, the CDs are not identified as such and, according to at least one source, may have trouble playing on high-end systems and car CD players.
Here's the news story:
http://news.cnet.com/news/0-1005-200-6604222.html
Here's an unofficial list of copy-protected CDs, authored by a guy whose opinion on the matter should be quite obvious:
http://fatchucks.com/corruptcds/corrupt.html
Reserving the technical discussion and "can you actually hear it" discussions for my previous thread, what are your feelings on the softer side of this issue, especially given the vast amount of software that we collectively gave/received over the past couple of weeks?
Don't hold back, now!
FWIW, my take is that this is just another case of technology scaring the crap out of a lumbering entrenched industry with severely dated business models because the geeks are infinitely smarter and more creative than the suits can ever hope to be. Just like the lawsuit against Napster, it may succeed in its immediate goal (for a month or so), but misses the real point completely. Alienating customers who are not criminals is bad business. For many of us Audiogoners, I imagine the presence of "all but inaudible" distortion on a recording is reason enough to avoid it like the plague. The music business is not about “clicks and pops”; it's about music.
Record companies are selling CDs which do not play on a PC's CD player. However, the CDs are not identified as such and, according to at least one source, may have trouble playing on high-end systems and car CD players.
Here's the news story:
http://news.cnet.com/news/0-1005-200-6604222.html
Here's an unofficial list of copy-protected CDs, authored by a guy whose opinion on the matter should be quite obvious:
http://fatchucks.com/corruptcds/corrupt.html
Reserving the technical discussion and "can you actually hear it" discussions for my previous thread, what are your feelings on the softer side of this issue, especially given the vast amount of software that we collectively gave/received over the past couple of weeks?
Don't hold back, now!
FWIW, my take is that this is just another case of technology scaring the crap out of a lumbering entrenched industry with severely dated business models because the geeks are infinitely smarter and more creative than the suits can ever hope to be. Just like the lawsuit against Napster, it may succeed in its immediate goal (for a month or so), but misses the real point completely. Alienating customers who are not criminals is bad business. For many of us Audiogoners, I imagine the presence of "all but inaudible" distortion on a recording is reason enough to avoid it like the plague. The music business is not about “clicks and pops”; it's about music.