CONUNDRUM


I'm fairly new to vinyl. In my haste to put together a fairly nice front end, I have created a mis-match between my cart, phono stage and my linestage. I have a Clearaudio Maestro cart feeding a ARC PH-7 feeding an Aesthetix Calypso. The PH-7 is over driving the Caypso with no way to reduce the output without sacrificing quality of sound. (attentuators don't work. In dropping the output, they also compromise the signal quality)) I can go to a low output MC coil cart, or change one of my preamps. I'm looking for a WARM sound with all the usual qualities one would want in a good sounding system. The MC cart seems like the way to go, but the $$ keeps piling up as it so often does in this hobby. Suggestions please.
handymann

Showing 3 responses by almarg

Bruce (Bifwynne), good points about load capacitance. I don't recall offhand the particular discussion you are referring to, but let me clarify a little further.

For cartridges having high inductance, such as most MM's, the load capacitance seen by the cartridge will directly affect tonality in the upper part of the audible spectrum. Too much or too little capacitance for the particular cartridge will adversely affect frequency response flatness. 100pf is recommended by the manufacturer for the OP's Maestro.

For cartridges having low inductance, such as most LOMC's, load capacitance will have insignificant direct effects on the cartridge's behavior at audible frequencies. However, high capacitance will lower the frequency and increase the amplitude of the ultrasonic resonant peak which results from its interaction with cartridge inductance. That in turn can result in the phono stage being required to process excess ultrasonic energy that it may not be able to handle gracefully. In general, therefore, the lower the capacitance the better, for LOMC's.

For HOMC's, such as the Dynavector you referred to, my suspicion is that the second of those two effects will generally be the most significant. But I don't have a precise feel for that, as inductance specs for that cartridge (and most others, for that matter) don't seem to be available. Perhaps Jonathan will comment further, with respect to HOMC's.

Handymann, I'm surprised that the attenuators you tried had such adverse effects. What model did you use, how much attenuation did it provide, and where in the signal path did you place it?

Best regards,
-- Al
Hi Bruce,

I wouldn't expect load capacitance to be relevant to issues at bass or subsonic frequencies.

Yes, the Maestro isn't optimally loaded by the capacitance of the PH-7 + cabling, but I have no way of knowing how significant the resulting sonic effects may be with that particular cartridge. And of course it is an issue that is separate from the overloading problem.

With respect to the Zephyr, Mr. Ledermann does provide a load capacitance recommendation, 100 to 200 pf. See page 2 of this datasheet. Again, I don't know how critical that may be.

Best regards,
-- Al
FWIW, the Rothwell Attenuators, and I would imagine most other comparable devices, are configured in the same manner as what Jonathan has described, with a series resistor, and with a shunt resistor at their output. I have a pair of the Rothwell's, and as measured with my not particularly accurate analog multimeter the series resistor has a value of about 21K, and the shunt resistor has a value of about 9.5K. In conjunction with the Calypso's 20K unbalanced input impedance (the PH-7 does not provide balanced outputs), that will result in an attenuation of about 12.6db. The load impedance seen by the PH-7 with the attenuators in place would be a presumably comfortable 27.4K. The attenuators are intended to be placed directly at the input connectors of the destination device (the Calypso in this case), so cable capacitance would not be an issue.

Handymann, while I'm not sure that 12.6db will be a sufficient amount of attenuation (given that the cartridge will probably exceed its 3.6mv nominal output by a considerable amount on the peaks of some material), I repeat my earlier comment that I'm surprised that you reported significant sonic degradation using an attenuator. Can you indicate what model attenuator you used, how much attenuation it provided, and exactly where in the system it was connected?

Regards,
-- Al