Continuation of my Thread on VPI, Basis, Origin...


....Graham etc.
First off thanks all for your help and advice.

So here is where I stand. I believe that I have a good unit...Aries/10.5/helikon/Benz M2 BUT my integration was not thought out well. Possibly better match with cartridges and arm. I also believe that the weakest point in my set up is the 10/5 arm. So I am leaning to an upgrade to the arm. I hope I can keep my cartridges...I like to use both (one or two months at a time). My candidates are Graham 2.2, Origin Live (high end version) and then possible the Vector.
Now the question. If I got this route, so I change the table? Will a Basis 2500 make a difference, a Big difference?? My advice in another thread says yes.

Finally, this afternoon I was listening to the EMI recording of Rachmaninov "The Bells" and toward the end of side one, close to the spindle, I began to hear low level rumble for about 3-4 revolutions. Is this the result of poor anti-skate, turntable feedback, poor isolation (I have a pretty good table for the set-up) poor recording??? I tried this section of the record on BOTH cartridges and same results.

Comments please....again, Thanks
rwd

Showing 2 responses by kennyb

I would suggest waiting on any upgrades until after the CES in January. VPI will be coming out with a few upgrades for the Aries that are said to improve performance substantially. In particular, the platter/ring of the new TNT-HRX will be available for the Aries. VPI also mentioned plans to roll out an upgrade for the JMW and a new motor assembly for the Aries. The arm upgrade will, I think, be a new VTA adjustment device that will offer greater rigidity than the current one. The new motor assembly will apparently be oblong-shaped and will house both a motor and a flywheel (somewhat like the new motor on the HRX).

Lastly, I believe a new low-wattage motor is available from VPI. This motor produces less vibration than the current motor. It is my understanding that this new motor can be easily dropped into the current motor assembly.
RWD, as I mentioned before, I am also using a Helikon with a JWM-10.5 on an Aries. While I also had trouble tracking the same antiskate bands on the HiFi News test record, I honestly have no desire to switch arms or cartridges. I couldn't be happier with the sound of the Helikon. For that matter I am also fond of the JMW -- particularly since swapping arm tubes, and thus cartridges, is so easily accomplished. I also have a mono Helikon, which is an absolutely amazing cartridge. By far, I get the best sound in my listening room when playing mono records with the mono Helikon. That I can so easily swap between cartridges is a HUGE plus.

I understand that you can swap arm tubes easily enough with the Graham as well. I am not sure if you can do so with the non-unipivot arms. If your listening tastes lean heavily towards classical, jazz, or 60's rock, then you may want to consider leaving yourself open to swap cartriges in the future.

It is my understanding that true mono cartridges, such as the mono Helikon, will soon be available from other manufacturers. I believe that you can now special order a true mono version of Grado cartridges from the Sonata model on up. Benz will also be coming out with one -- possibly a mono ACE.

Jumping back to the stereo Helikon -- prior to acquiring that cartridge I used two different Clearaudio cartridges; first the $1200 Sigma and then the $1600 Clearaudio Victory. Both tracked the HiFi News LP antiskate tracks better than my stereo Helikon -- and yet neither approached the Helkon's ability to get out of the way of the music.

IMHO I think there are better places that you can spend your money on than a new arm or table. The first thing that comes to mind is a Vibraplane (makes a HUGE difference) -- and from there a second arm tube and a Helikon mono.

That's just my two cents. I hope it helps.

Ken