Collective letter s to Stereophile


Why Stereophile magazine reviews (favors) only certain manufacturers? Mostly are already big corporations and established themselves in audio arena. Cary (almost every amp reviewed)Krell even get spotlight for the first speakers they ever made, that's FAIR! Mark Levinson and CJ same Musical Fidelity, B&W every single speaker, so as Revel and Dunlavy and Thiel to a certain degree but still in the spotlight. Ocasionaly one or two obscure companies make debut on the pages (usually scapegoats for the bad reviews). Where are the loudspeaker companies, here in the North America, that already established themselves as competative and superb performers? Meadowlark Audio, Coincident, Talon, AVALON, Tyler, Nova etc..! How about Spendor, Herbeth, Living Voice from UK, JM from France and many many more that do not even get mentioned?

Your take on this? Thanks!
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Showing 1 response by nathanu

I find it interesting that several responses to this thread and to others have commended Audiogon for offering consumers the opportunity to give their non-biased reviews of their equipment. One post above reads, "Listen to the folks here on AudioGon who paid good money out of their pocket for their gear and have no vested interest."

I can't help but wonder, however, if those reviews are truly non-biased or without a vested interest. I find that there is a natural and understandable tendency for a buyer to support the gear that he or she has purchased. We do not like to believe that we may have made a mistake. Or, if we recognize that we made a mistake, we may not want to undercut the market value of our own equipment with a negative post, just when we are contemplating putting that equipment up for resale on Audiogon. In any event, like manufacturers, like distributors, like retailers, like the magazines, we all have a vested interest of some sort. I do not believe, however, that this in and of itself makes a review invalid. Every review by its nature is biased, whether of financial bias or simply based on the life experiences of the reviewer. The trick is to recognize the limitations as well as the value of every review.