Collecting Blue Note Jazz


I have decide to start building up a collection of Blue Note Jazz LPs, of which I have very few. What is the best way to go on what can be a sizeable investment. I am willing to spend for great music/sound quality, but cost is a factor, especially when originals are so expensive. I see many options, of which standouts include:
1. New Music Matters 45 RPM reissues.
2. Original Pressings ($$$)
3. Affordable but relatively early reissues (e.g. Blue Label, Liberty Pressings..maybe from the 70's or even early 1980s)
4. Just buy SACDs, since the LPs will not sound that great anyway.
The website www.dccblowout.com touts hot stampers. As I understand it, this site recommends shunning recent reissues and buying perhaps five or more original LPs or reissues (e.g. Blue Label) and keep the best sounding of the lot, while selling the rest. I've noticed that none of the Blue Note LPs I have so far offer sound quality on par with my LPs by the Contemporary Records label. Any recommendations? I have a pretty decent system for both LP and digital. Any advice would be much appreciated - Mark
mcmprov

Showing 1 response by strateahed

I have a few original Blue Note LPs that sound very good. In fact, once the TT/cart was dialed in, LPs cleaned with Disc Doctor and steamed (that's a whole other thread) ... I was surprised at the high production quality. These were albums that hadn't been played in years - giving way to CDs and then SACDs. My opinion of Rudy Van Gelder's work had been tainted by what I was hearing on CD. I thought maybe my recollection may have been a little "cloudy" from the old days of Blue Note on vinyl. But when I put on Horace Silver's "Song For My Father" and Lee Morgan's "Rumproller" I was fairly blown away.

In comparison, the 45 RPM MM reissues - while an improvement over some of the brand new stuff - there wasn't IMHO enough of an improvement to justify the $50 price tag. Picked some up just to see what all the buzz was about. I concluded that perhaps my TT system wasn't resolving to the point of extracting that last bit of improvement.

BTW, the remastered RVG CD collection - is an improvement over his earlier CD engineering. I could hear a positive difference in the RVG version of Wayne Shorter's "Speak No Evil" compared to a CD I picked up about 15 years ago. Perhaps a more technical person can chime in here, but I think it has something to do with a much higher sampling rate. Having said all that, still if you can find some of the original LPs in good shape ... pick 'em up.

Finally, based on my personal experience, the folks that put out the 'hot stampers' aren't all bad. I picked up a nearly mint 'promotional' pressing of Miles' "Some Day My Prince Will Come" from that outfit (Columbia not Blue Note OK). It sounds fantastic, and I never get tired of it no matter how many times it's been played.