Classics and Cults. Bogus Journalism?


Classics endure, it seems, even as technology improves. Regardless of the new stuff, people still seem to agree that the AR SP-11 is a very good pre amp, that VPI TNT turntables are wonderful, that the Levinson 30/31 combination is a great CD player etc. Some, gear however, bursts onto the high end scene in a flash of glory, only to disappear off the face of the earth and never be mentioned again. What's going on here? I was thinking recently of the Crown Macro Reference, an amp that I never heard but I recall that it was briefly the best thing in the world with the high end audio press, only to never be mentioned again and presumably trade at deep discounts. There was another amp -- made in a garage somewhere -- maybe some of you recall the name -- that despite its low cost and simple SS design, was possibly the best amp EVER in the world. It was back ordered forever, only to disappear and never be mentioned again. Can anyone else think of products like this? Are these just spurious reviews or were the writers drinking Krug and Chateau Lafite courtesy of the manufacturers before sitting down at their keyboards?
cwlondon

Showing 1 response by garfish

Cw; I think Detlof's post is right on-- wish I had written it. In the high end, it seems that even well recognized products/names have a tough time of it. About the time I bought a McCormack DNA-2DX amp, the company essentially folded in a divorce settlement (as I understand it). I was glad to see McCormack picked up and continued by Conrad- Johnson. Sonic Frontiers, another largish company also almost went under after I bought a Line 2 pre-amp, and I was happy to see them purchased by Paradigm, and Paradigm by someone else. Geez. For awhile, I was beginning to think these business difficulties were MY fault. Cheers. Craig.