- From an internet review of Blomstedt’s new Beethoven Symphony cycle: “certainly among the greatest Beethoven cycles ever recorded.”
- I agree!
Classical Music for Aficionados
I will list some of my favorite recordings, CDs as well as LP’s. While good sound is not a prime requisite, it will be a consideration.
Classical music lovers please feel free to add to my lists.
Discussion of musical and recording issues will be welcome.
I’ll start with a list of CDs. Records to follow in a later post.
Berlioz: Symphonie Fantastique. Chesky — Royal Phil. Orch. Freccia, conductor.
Mahler: Des Knaben Wunderhorn. Vanguard Classics — Vienna Festival Orch. Prohaska, conductor.
Prokofiev: Scythian Suite et. al. DG — Chicago Symphony Abbado, conductor.
Brahms: Symphony #1. Chesky — London Symph. Orch. Horenstein, conductor.
Stravinsky: L’Histoire du Soldat. HDTT — Ars Nova. Mandell, conductor.
Rachmaninoff: Symphonic Dances. Analogue Productions. — Dallas Symph Orch. Johanos, cond.
Respighi: Roman Festivals et. al. Chesky — Royal Phil. Orch. Freccia, conductor.
All of the above happen to be great sounding recordings, but, as I said, sonics is not a prerequisite.
Showing 42 responses by rvpiano
A performance of a gorgeous Bach cantata in state of the art sound: https://www.youtube.com/watch?v=RowYzRTHTWA |
I have both Qobuz and Idagio. You’re right, Qobuz is pretty good for classical, but Idagio is great. I found it much better than Primephonic. The search engines are really useful and they sometimes do live music (for a fee.) ‘I also find Idagio sounds better than Qobuz for classical. I’ve commented on this many times. |
The amplifiers on my Triton 1 speakers’ subwoofers were broken by a power surge in my neighborhood. Consequently I’m not listening to much music with a lot of bass lately. The op. 59 quartets are next on the agenda |
I just listened to the Hogwood version of the Mozart Requiem on my compromised speakers. I hadn’t heard this version previously. From what I could tell, it’s a really fine reading. The “Lacrymosa” is a bit shocking in its original version, quite different from Sussmeyer’s arrangement. |
Well, I had the amps replaced, and when the technician was through he noticed the polarity of the speaker cables was the conventional red to red and black to black formation. It just so happens that my Conrad-Johnson preamp is phase inverting, which means the cables should be black to black on one speaker and on the other speaker black to RED. I have known this since I bought the preamp many moons ago. But somehow (I don’t know when) the cables were reversed in the wrong formation. |
The sound of the Triton 1’s is so unbelievably rich and detailed with one subwoofer that now I’m worried that when the amp for the second subwoofer gets installed. the sound won’t be as good. Also I spoke too soon regarding the relative SQ of analog to digital.. |
I’ve always heard that one subwoofer is okay for a system. What’s different about my situation is that the subwoofers are built in to my speakers. Theoretically. that would mean the subwooferless speaker would not reproduce the lower frequencies of that speaker, leaving a loss of quality. But that does not seem to be the case. |
I just compared four performances of Schumann’s masterpiece, the Symphonic Etudes. Pogorelich, Richter Rubinstein and Pollini. The results were very enlightening. Richter and Pogorelich, though representing two different worlds of interpretation, played with electric intensity, whereas Rubinstein was very musical, calm, but still effective, although he left out several variations in this live performance. Pollini , surprisingly, was just dull, no excitement but indeed very capable. What also impressed me is how easy it is to compare solo players with regard to interpretation. Orchestral performances are more tricky. The way an orchestra is recorded goes a long way towards your appreciation. You may prefer one recording over another due to how the sound effects you. Sonics can cloud your perspective. |