Classical Music for Aficionados


I would like to start a thread, similar to Orpheus’ jazz site, for lovers of classical music.
I will list some of my favorite recordings, CDs as well as LP’s. While good sound is not a prime requisite, it will be a consideration.
  Classical music lovers please feel free to add to my lists.
Discussion of musical and recording issues will be welcome.

I’ll start with a list of CDs.  Records to follow in a later post.

Berlioz: Symphonie Fantastique.  Chesky  — Royal Phil. Orch.  Freccia, conductor.
Mahler:  Des Knaben Wunderhorn.  Vanguard Classics — Vienna Festival Orch. Prohaska, conductor.
Prokofiev:  Scythian Suite et. al.  DG  — Chicago Symphony  Abbado, conductor.
Brahms: Symphony #1.  Chesky — London Symph. Orch.  Horenstein, conductor.
Stravinsky: L’Histoire du Soldat. HDTT — Ars Nova.  Mandell, conductor.
Rachmaninoff: Symphonic Dances. Analogue Productions. — Dallas Symph Orch. Johanos, cond.
Respighi: Roman Festivals et. al. Chesky — Royal Phil. Orch. Freccia, conductor.

All of the above happen to be great sounding recordings, but, as I said, sonics is not a prerequisite.


128x128rvpiano

Showing 40 responses by rvpiano

  • From an internet review of Blomstedt’s new Beethoven Symphony cycle: “certainly among the greatest Beethoven cycles ever recorded.”
  • I agree!

Kondrashin was considered a Mahler conductor in Russia.
I believe he is a great one.
Listen  to his Mahler 9.
Her concerts are usually sold out.  Bionic fingers, indeed.
 Volodos-like.  Good musician.  But not the great artistry yet.
Two conductors with a particular affinity for this magnificent work are Loren Maazel in his fabled recording on Decca and Ashkenazy with his performances on Decca and Exton.
twoleftears,

Thanks so much for the recommendation
It’s just as you describe.
What  musicianship!

I’m not sure if anyone here has mentioned it, but there’s a wonderful set of Rachmaninoff piano selections by Sergei Babayan which can be found on Qobuz and Idagio. Atmospheric and highly sensitive. He spins magic.
One could imagine Rachmaninoff himself playing.
I have both Qobuz and Idagio. You’re right, Qobuz is pretty good for classical, but Idagio is great. I found it much better than Primephonic. The search engines are really useful and they sometimes do live music (for a fee.)
‘I also find Idagio sounds better than Qobuz for classical. I’ve commented on this many times.
I just discovered on Qobuz a recent release of a monumental performance of Verdi’s Requiem conducted by Ricardo Muti, with Jesse Norman and Jose Carreras among the soloists.
Absolute genius — “The Last Three String Quartets”  by Haydn
with the Prazak Quartet.  On Qobuz
With streaming sounding as good as it does I don’t see how the CD market is going to survive much longer..
Already Amazon has many titles only available as downloads.
Antal Dorati with the Detroit Symphony on Decca.
‘My favorite version in outstanding sound.
if you do a Google search for it find Amazon’s listing where you can have it used for as little as $0.49.
19 used copies available at various prices.
The Dorati/Detroit IS early digital, but on my current equipment it sounds great.
I hate to be a wet towel here, but really guys, this is supposed to be a site that concentrates on music.

"to boot he is taking our 1st violnist with him"

Thats one way to preserve talent!

@rcprince 

Yes, it’s amazing how our taste can change like that.

@mahler123 

Ristenpart’s interpretations have managed to survive the HIP movement.  
Just a superb musician.  
Those Nonesuch LP’s are wonderful

My Nonesuch and Turnabout LP’s are still in excellent shape. As far as sound goes, with my new analog rig some, but not all, are audiophile quality. I use them to demonstrate the SQ of my set.

The amplifiers on my Triton 1 speakers’ subwoofers were broken by a power surge in my neighborhood. Consequently I’m not listening to much music with a lot of bass lately.
I’ve begun a project of listening to the Beethoven string quartets. So far I’ve listened to op. 18. Quartets. Beethoven’s genius is palpable in these works.  He devoured the classical style whole and spit out masterpieces that surpassed even Haydn and Mozart in invention. And this is to mention only one genre he worked with.

The op. 59 quartets are next on the agenda

Yes, I have headphones, but I still prefer the speakers.  But, you’re right, without the subwoofers the sound is definitely off, lacks body..    
‘Hopefully the amps will arrive today.

 

I just listened to the Hogwood version of the Mozart Requiem on my compromised speakers. I hadn’t heard this version previously. From what I could tell, it’s a really fine reading. The “Lacrymosa” is a bit shocking in its original version, quite different from Sussmeyer’s arrangement.  
My first encounter with the Requiem was with Krips and the Vienna Choir Boys. I literally wore out three LP’s, playing it every day for a very long time.  Such is my reverence for the work and Mozart.
My subwoofers should be installed tomorrow. Can’t wait to hear the Hogwood with them working.

Well, I had the amps replaced, and when the technician was through he noticed the polarity of the speaker cables was the conventional red to red and black to black formation. It just so happens that my Conrad-Johnson preamp is phase inverting, which means the cables should be black to black on one speaker and on the other speaker black to RED. I have known this since I bought the preamp many moons ago. But somehow (I don’t know when) the cables were reversed in the wrong formation.
All of a sudden the sound opened up magnificently when I played my records.
So, the bad turned into the good!

 The difference in sound I achieved by reversing the channels was nothing short of revelatory.

Check  the section on “absolute phase”

 

https://conradjohnson.com/owners-manuals/pv11man.pdf


On reading the manual carefully. It appears you are right. My technician, unbeknownst to me inserted them the correct way. I got lucky!

I would hate to tell you how many years I’ve been listening to my system out of phase. It’s since I bought the Conrad-Johnson pre.
What a revelation to hear everything anew!  It’s like the best upgrade I could buy.

VERY SAD!

Since bringing my speakers into phase (even with only one subwoofer!) the sound is maybe 90% better. It’s really hard to believe the difference.

Not only that, it’s changed the equation between analog and digital. Now analog is sounding palpably better than digital.

The sound of the Triton 1’s is so unbelievably rich and detailed with one subwoofer that now I’m worried that when the amp for the second subwoofer gets installed. the sound won’t be as good.

Also I spoke too soon regarding the relative SQ of analog to digital..
Digital is also now starting to sound great as well.

I’ve always heard that one subwoofer is okay for a system.  What’s different about my situation is that the subwoofers are built in to my speakers. Theoretically. that would mean the subwooferless speaker would not reproduce the lower frequencies of that speaker, leaving a loss of quality.  But that does not seem to be the case.

I’m going to get a new subwoofer amp delivered today.  When it’s installed I’ll let you know.