Classical Music as Relics for easy listening


When is classical music art as opposed to easy listening or entertainment? I ask this question because it seems the FM classical music stations almost always claim "for asoothing relaxing time listen to W@#$" I guess this goes hand and hand with the midcult of symphonic fare that the orchestras and the music directors are dishing out. The radio stations play third rate baroque music "to soothe ones nerves on the commute home" (I guess you need something on the rush hour traffic on I-495 in DC) and for the symphonic fare: the same warhorses over and over, relics of dead great composers. Absolutely nothing new. I cannot remember
when the last time I here a modern piece by Part or Schnittke(though he is dead). I only found out Part or Schnittke by reading about them in the New York Times, and
getting a Naxos CD, to hear them. I have to go to Philly to Tower Records to find these composers because neither Borders or B&N have them. No wonder Classical music is dying slowly. Does anybody else have this same kind of frustration or are you just as happy hearing the same recordings over and over? Just asking......
shubertmaniac

Showing 5 responses by flex

There are LOTS of good modern composers!!! I listen to modern music all the time and love it. I would forget the radio and start with a contemporary music history text as a source for directions in 20th century composition. I've never had any trouble finding cd's when I knew what I was looking for. Try some or all of the following: Luciano Berio, Thomas Ades, John Adams, John Corigliano, Richard Danielpour, Witold Lutoslawski, H. Dutilleaux, H.W. Henze, Henryk Gorecki, John Tavener, Giya Kancheli, E. Rautavaara, John Rutter, Toru Takemitsu, E.S. Tuur, Pierre Boulez, Peter Vasks.
I generally find the internet to be a much better way to locate classical music, especially modern, than searching locally. The Tower and Amazon URL's are pretty decent, and if you look, you can find a number of British and German internet sources that will have anything you can't find here (e.g. BOL). Also, review mags like Gramophone are great sources of commentary on modern recordings.
Shubertmaniac, you are right in many ways. But one reason modern classical has tanked so badly has been its excessively non-melodic intellectualized nature. Composition gets trapped in styles for periods of time and has to re-emerge in a form people enjoy listening to, not just analyzing. I think this has been correcting itself with composers like Adams, Rautavaara, Tavener, Ades, among others whose works actually do get a fair amount of performance in their respective countries.

Also, don't underestimate the lowly CD. It is a form of music distribution that has never existed before and it greatly improves the lot of struggling composers.
A question which emerges from your discussion: has the homogenization and stagnancy occurred because radio and public performance are no longer the ways in which music is heard? Is it possible that music via the cd has become the dominant form of music distribution?