Class "A" solid state vs. Tube amp.?


I would like to hear opinions, for, i am listening mostly classical and the acoustic instruments! I never heard anybody more happier, than the Pass owners? I am tempted!
chedo27dc1

Showing 2 responses by sparky57

I have been very happy with a Threshold Stasis II amplifier I've owned for some time. Very clean sounding, wide soundstage, good basss extension, and utterly reliable. So what's wrong? Last year, I purchased a used Audio Research VT100 MK-II through Audiogon. There is no contest on unamplified music. There is an unmistakable "rightness" to the purity and timbre of strings and woodwinds. There is a natural "bloom" to the sound. Voices hang in the air. The Pass designed "Class A Stasis" amp was sterile by comparison.
The only bit I would like to add to this lively debate is to relate a small story. I will never forget first hearing my reviewer friend's system circa 1980. It consisted of Infinity IRS, ARC SP-10, Conrad Johnson Premier One, Goldmund Reference, and Koetsu whatever. It was the first time I had heard a high end tube amplifier. Despite Mr Coherent's assertion, good tube amps do not compress dynamics or lose control in the face of complex passages. If anything, their clipping characteristics are far more forgiving than SS units. That system possessed the most incredible ease and clarity. Large scale works like Orff's Carmina Burana would knock you down with dynamics. Many years later, hundreds of amps have gone through his system, but he still prefers the naturalness of the best tube amplifiers. Either the big ARC Reference units or one of the Jadis amps. Unlike Harley enthusiasts, I do not prefer them out of some nostalgic interest in the past. I really find SS units more practical. You leave them on all the time and don't have to worry about warm up delays, re-tubing, and heat generation. Listen carefully in your own system and make the judgement. Audio Research, Conrad-Johson, Atmasphere, Cary, Jadis, VTL, Lamm, and many others do not exist to satisfy a lunatic fringe audience.