My dear friends, thank you for each and every comment. While I understand that a great majority of power amps are not fully Class A only, I still wonder. Would not the Class A/AB power amps like the Mark Levinson 27/27.5 run hot due to the fact they are operating in Class A most of the time depending on the listening level?
In my case I would not ask the power amp to drive my Maggies (1.6) at loud levels. At this rate would not the power amp be operating in Class A from idle to most of my listening levels? Just wondering.
I am leaning towards the Mark Levinson 27 first and the Pass Labs X150 second. Tell me all, what is the difference between the Mark Levinson 27 and 27.5 in terms of musicallity? As stated in my initial post I love the human voice and listen to lots of classical choral works, big band and small group jazz. And I am looking for the amp to produce a wide and deep sound stage with an accurate presentation. I am thinking each of the two amps mentioned here can do that for me. I look forward to your response.
In my case I would not ask the power amp to drive my Maggies (1.6) at loud levels. At this rate would not the power amp be operating in Class A from idle to most of my listening levels? Just wondering.
I am leaning towards the Mark Levinson 27 first and the Pass Labs X150 second. Tell me all, what is the difference between the Mark Levinson 27 and 27.5 in terms of musicallity? As stated in my initial post I love the human voice and listen to lots of classical choral works, big band and small group jazz. And I am looking for the amp to produce a wide and deep sound stage with an accurate presentation. I am thinking each of the two amps mentioned here can do that for me. I look forward to your response.