CAT SL1 vs Modwright LS 36.5


Hi all,

I am considering CAT SL1 without phono or Modwright LS 36.5 to pair with my PASS LAB X250.5 ... would like to know which amp would be better... Btw would Modwright LS 36.5 be better because of XLR connections...? Please share your experiences....
clarrie

Showing 3 responses by rfogel8

Since nobody else responded, I'll give you my "opinion." Over a period of maybe 15 years, I owned the Cat Sig. Mk.1, Mk.2, Mk.3, Ultimate 1, and finally Ultimate 2. I guess I'm qualified to comment on the CAT!

For the money, a CAT is hard to beat. Even the phono stage is decent for the extra few bucks. It's big, open, transparent, extended, dynamic, detailed, and lots of air. I used them with Symphonic Line RG-1, RG-7, RG-4's(all SS) then CJ Premier 12's, VTL 250's, and finally Atma-Sphere MA-1's. All the CAT's worked flawlessly with every amp I mated them with. I never, ever had any problems, but did have many pleasant conversations with Ken Stevens who was always accessible and very friendly.

I still have the Atma-Sphere MA-1's which are now mated to their MP-1 w/phono. At almost 3 times the price of my last CAT, it's in a different league, but I still have fond memories of all those CAT's and wouldn't hesitate to recommend it to anyone.

As for Modwright, I know Dan casually from spending lots of time in his rooms at CES and RMAF. I've owned his Modwright/Sony 5400 for a couple years now and can finally listen to digital without getting bored, or worse yet, a headache. My buddy owns his Modwright/Oppo 95 and loves it.

I can't say for certain but if there's anything to the notion of a "house sound", I'll speculate that the Modwright LS 36.5 will be a bit warmer and fuller than the CAT, which to my ears and depending on source, could sometimes sound a bit leaner and cleaner than reality.

A couple final points, unless you're running really long interconnects(which the CAT can certainly handle), I wouldn't worry about XLR's vs RCA's. Also, if you go with a CAT, I wouldn't waste any time replacing the factory tubes with NOS; the Sovtek 6922 absolutely sucks.
Daveyf, I wasn't knocking the CAT and if you reread my post, you'll see I owned several of them over many years and enjoyed every one.

I notice you own two older CATs and apparently you feel your ox has been gored because I said the MP-1 is better. IT IS!!!

After living with all those CATs, including a couple versions more current than either one of yours, I know how they sound as well as anyone. As for tube rolling, I always ran NOS, mostly Tele's, but the forward, aggressive character remained. I always thought it was my digital until the MP-1 came along.

JWM and Charles are exactly right, as much as I liked all my CATs, every one of them came across sounding a bit lean and cool. When pushed, the sound became hard and aggressive. JWM owned a couple versions, newer than either one of yours, and he had the same complaint. He now runs a very nice VAC preamp which also outclasses the CAT, hands down!

You mention you've heard the MP-1. I suppose if it were an older unit, you might judge the CAT to be better; a matter of opinion I won't take issue with. All I know is, brand new, fresh outta the box, the MP-1 Mk 3 wiped the floor with my well used CAT Ultimate Mk 2. The MP-1 is way more refined, more open, transparent, detailed and dynamic. It soundstages as well as anything I've ever heard and as JWM said, it sounds very organic, with fleshed out images that sound totally believable. No way the MP-1 is "diffuse and colored". What nonsense!

Clarrie, don't take my criticism of the CAT too hard. At it's price, it is a very good preamp. No way JWM and I would have lived with them as long as we did if they weren't very good. But... none of them can be compared to a good VAC or a fairly recent MP-1.

Charles owns a really nice Coincident preamp which I'd also consider. I haven't heard it in my system but I have heard his setup and he always has wonderful sound.

OK Daveyf, I'm ready; give me both barrels.

Daveyf, Vinyl is my source of choice and always has been. I've gone for years at a time without digital because it always left me bored and wanting. Yes I have a fairly decent vinyl rig; Galibier Gavia table w/Stelvio armboard, latest Tri-Planar VII arm and Dynavector XV-1s cartridge. It feeds my MP-1's phono, which to my ears, is right up there with some of the best. My last couple CAT's were mated with a Klyne 7PX3.5 phono; an exceptionally good unit which I really hated to sell.

If I had the room for three more large boxes, I might be tempted to go with JWM's Aesthtix Io Sig. with dual power supplies. Through it, vinyl sounds sublime! Problem is, I don't have the room nor do I want to deal with all those extra tubes.

Bottom line, none of us are judging the CAT based on just digital source though I'll grant you, it does sound better with vinyl. It's $500 add on phono stage is basically an afterthought for those who may want to listen to records but it won't do justice to LOMC's.

Yes our MMV and as Charles said, it's great that you're completely happy with both of your CATs. I was pretty happy too when I owned mine but the MP-1 ultimately won me over. I've had it for quite a while now and have never been happier with what I'm hearing; vinyl or digital.

Happy listening!