I listen to mostly classical, about 90% vinyl. The ML doesn't have a bloomy midrange, but it has a smooth accurate one. The Wilson's have a tendency to be ruthlessly revealing so the 335's mid hall tonal balance is a good match.
What I'm suggesting for you is to consider a better solid state amp or a higher powered tube amp than 110w. With my VT 100 to many recordings were bright and unpleasant. With the 335 I discovered that while the ARC is a fine amp, it didn't have enough juice to drive the 5.1's and as a result the bass foundation suffered. The tonal balance with the 335 was better because the bass fundamentals were there and balanced out the sound. The body of instrumentals could be heard and felt.
Overall the 335 made a big difference, even on a string quartet the improvement in the sound of the cello was noticeable. While the ARC might have had just a shade, and I mean very small, more bloom the 335 was by far the better amp. The 5.1's need power and only sound their best when they get it.
What I'm suggesting for you is to consider a better solid state amp or a higher powered tube amp than 110w. With my VT 100 to many recordings were bright and unpleasant. With the 335 I discovered that while the ARC is a fine amp, it didn't have enough juice to drive the 5.1's and as a result the bass foundation suffered. The tonal balance with the 335 was better because the bass fundamentals were there and balanced out the sound. The body of instrumentals could be heard and felt.
Overall the 335 made a big difference, even on a string quartet the improvement in the sound of the cello was noticeable. While the ARC might have had just a shade, and I mean very small, more bloom the 335 was by far the better amp. The 5.1's need power and only sound their best when they get it.