Given how many of the excellent bootleg live recordings from the 1970s were made on cassette decks (Mike Millard, Dan Lampinski, JEMS, etc etc) clearly quality can be had (most of these gentlemen went to Nakamichi decks with good quality microphones) in that mode.
So compared to the average Joe whose turntable might not be audiophile grade, records themselves worn and poppity etc, the OPs statement is correct, can being the operative word.
So compared to the average Joe whose turntable might not be audiophile grade, records themselves worn and poppity etc, the OPs statement is correct, can being the operative word.