3chihuahuas: first, you should know that audio reviewers are not well-paid. (i've heard from several sources that $500 is about the upper limit for a freelance review.) that's why nearly all of those who contribute to tas and s'phile, for example, have full-time careers. breaking into reviewing is not easy and does depend on whom you know, though not so much as how well you write. i'd suggest you try your hand at reviewing a piece of equipment you now own and posting it on audiogon. ask for constructive criticism. keep at it. it's pretty much like the old joke about how you get to carnegie hall. practice, of course. the more you write, and write well, the better off you are. if you're really good at it, you'll likely be "discovered" or, alternatively, build a portfolio you might submit to the audio rags as your "resume." do have fun and happy listening! -kelly
Careers in Hifi
With the many recent lay-offs lately in the high tech industry, I am starting to think twice about my own job security. If I was ever let go, I think I would want to try and find a dream job first before heading back into high tech. Does anyone know how does a person get to become a hifi equipment reviewer which perks such as being able auditioning some of the world's best gears? Do you need pure luck to break into this type of job or what?