Can we objectively rate speaker cables?


I'd like to generate discussion to compile some sort of chart that compares cable attributes. I realize that cable attributes will vary by system, but I would think that in the same system, certain generalizations can be made. For example, I think many would agree that copper is generally warmer than silver. That said, I propose the following categories. Feel free to add categories to make this a mutually-exclusive, collectively-exhaustive list and/or offer ratings for cables you've auditioned.

A. analytical/detailed (1) - warm (10)
B. closed soundstage (1) - open soundstage (10)
C. slow (1) - fast (10)
jennyjones

Showing 2 responses by shadorne

Jenny,

Since the way a cable behaves has an awful lot to do with the equipment at both ends it seems to be a pointless endeavor to try to attribute individual sonic properties to the cables themselves. Arthur Salvatore has a lot to say about cables and reviewers that proclaim wonderful sonic qualities about higher priced cables.
These tests "prove" nothing except that the people involved did not hear a difference, not that others wouldn't.

Agreed. It proves absolutely nothing at all.

I think we can also all agree that there must be some (even if ever so small) difference and that the output of some gear may be a great deal more sensitive than others to a very small difference of this type (a speaker with a low impedance point of 4 ohms, for example, on the end of a 50 foot cable).

However, before we jump to conclusions, where are the blind tests that "prove" that there are "some others" who can indeed hear the difference on those high quality very expensive cables? (...and then logically what type gear specifically requires careful attention to cables?)

And I am not referring to the Misleading Monster cable in store demo which you can read about on Roger Russel's website and where a difference is very obvious.