Can we objectively rate speaker cables?


I'd like to generate discussion to compile some sort of chart that compares cable attributes. I realize that cable attributes will vary by system, but I would think that in the same system, certain generalizations can be made. For example, I think many would agree that copper is generally warmer than silver. That said, I propose the following categories. Feel free to add categories to make this a mutually-exclusive, collectively-exhaustive list and/or offer ratings for cables you've auditioned.

A. analytical/detailed (1) - warm (10)
B. closed soundstage (1) - open soundstage (10)
C. slow (1) - fast (10)
jennyjones

Showing 1 response by almarg

Shadorne -- Very interesting article you linked to. I was particularly struck by the last sentence under paragraph number 4. I see no reason to doubt that sentence is factual.

Rova said: I will agree that because the speaker side of the system is fairly low in impedance and the wire characteristics and flaws likely have much less impact because of this. However, for interconnects the wire flaws and characteristics play a much bigger role due to the higher impedances involved.

I disagree. The "wire flaws and characteristics" which are significant for speaker cables simply are different than the ones which are significant for interconnects. Inductance and gauge (resistance) clearly can be significant for speaker cables, depending on length and on the impedances of the amplifier and speakers. For interconnects, those parameters are almost always insignificant, while capacitance and shielding are important.

Stan said: The advance of audio has mainly consisted in discovering that things we thought made no difference in fact do.

Stan -- I agree in principle with your comments, but only up to a point. If the concept behind a product is sufficiently unconventional, or the price seemingly absurd, I will want to see some rationale which is at least half-way plausible before I will spend my time and/or money investigating it. Besides their apparently outlandish markups, what I find to be the biggest turn-off about super-expensive cables is the design rationale which is typically offered in their "white papers" and other literature. Which, as a technically trained person, I KNOW to be largely nonsense in many or most cases, designed to sound good to the majority of audiophiles who are not technically trained.

I am not saying that the products will not be good performers in many systems, just that I find the design rationale (as well as the price) to be a turn-off. Even though I know it will never happen, I would much rather see cable purveyors simply say something like "we used the following very expensive materials and construction techniques, we voiced it all on very high resolution systems, and we don't know why those materials and techniques make it sound so good but they do." Which is what it all amounts to, at best.

Regards,
-- Al