Can HI FI components really make music?


Hello everyone. I am posting this question possibly a bit early but I am getting frustrated and am about to throw in the towel, sell everything and buy a Bose wave radio and call it good. My question is does a good HI FI system ever really sound like live music? At this point I think not. I have been in this hobby for about 7 years and just can't seem to get there. Even the system at the local "hi end" dealer does not come close to live music. My system has evolved over the years to the following:

Wadia 861 CD
VTL MB 125 mono blocks
Supratek Chennin Pre
(2) Vandy 2WQ subs
Vandy 3A Sig
Cardas Golden Cross inter con
Kimber Bifocal XL spk cable
Vandy model 5 Xover

All this gear is in a 13x35x8 room. Although the sound is quite good. Better than most any other system Ive heard it still has a long way to go. In all fairness the 3As are not completely broken in but I dont think they will improve to the extent I want them to over the course of the next 30 hrs. My dealers solution is that I should get rid of the Supratek and replace with a VTL 5.5. I dont think so. Been there done that. Although the VTL is decent it cant compete with the Supra.

At this point I think maybe the VTL 125s are just not sophisticated or powerful enough to give me the sound Im looking for. I think they are the weak link along with cabling. I stated earlyer that the dealers system doesnt do it for me either and I think that may be due to the fact that their biggest amp is 185 wpc. Im thinking maybe a sophisticated amp with say 400 wpc might get me there with the 3As. I dont know... but I am not willing to spend 100K to what I want nor could I afford to.

For those of you that are still with me any and all input welcome. I am not one of those thin skinned audiophiles that cries like a baby when someone has the audacity to insult their precious gear. So fire away.

Thanks
braro

Showing 1 response by gs5556

Everyone mentioned equipment and room. Even if you had the ideal of both, there's one more variable - the recording chain. The losses start at the microphone and continue to the speakers. So, no matter what you do on your end, the recording process is still a limiting factor that cannot be controlled.