Calling for opinions on Escalante Fremonts


Having read those extremely rave reviews on the Fremonts, i went to audition them. i wouldn't say i was "blown away" to the extent as those reviewers. I would appreciate folks who have listened to them extensively can share their thoughts on the strengths and weakneses of the Fremonts.Thanks.
alectiong

Showing 2 responses by applaudio

An excellent thread so I thought I would reshare my post from another Fremont thread here too if you don't mind to maintain the good reputation of these speakers.......
Bit of a time lapse in response!
Yes I've heard these speakers, it felt risky but I bought them unheard from a reliable and professional source in the UK where I live and I have not looked back. I use them with an AyonTriton III Valve Integrated usually on the Triode setting which pushes out 70W a side.
Given their 93db sensitivity this is loud and powerful enough to give me what I need from my music. The speakers are revealing and don't tolerate poor recordings. Dial a quality recording in from my sources...CD, DAB/FM Radio or Vinyl and the results are sublime. No need for a sub woofer, 12" drivers do the job great, the one's you can see, there is another 12" hidden within the cabinet. The scanspeak revelator tweeter is reputed to be one of the best in the business. I get it all....soundstage, musicality, pace, rhythm and yes....timing lol! The sound is clear, detailed, unfatigueing, true to whatever quality of recording has been achieved by the musicians and engineers. I play hand percussion Latin mainly so I'm very keen to hear the accurate reproduction of conga drums and the various hand techniques employed in the playing of those wonderful drums. The speakers were previously owned by the owner of a high end turntable manufacturing co who used them for a good few years to listen through to hear the various developments of his own products. He needed a reliable benchmark for that, these were it. Anyway my risk paid off, they are about 10 yrs old and are Fremont MkII. Greg Weaver and others put out reviews which I studied and together with the credibility of the first owner, although I took 6 months to decide, I plunged in to buy them. Piano black in colour, on matching purpose designed stands. I'm so glad the previous owner imported them, took such good care of them and I'm happy I was able o make the decision to buy and enjoy them.
Thanks for your impressions and experiences with the Fremont's Takashic, I get the feeling this thread isn't going to get that busy. I'd be shocked if I bumped into any other UK owners here. Great for exclusivity but hopeless if I ever wanted to sell them on, not that I think I ever will after 5 months listening and they do keep surprising me with new detail that leaps out both subtly and dynamically. I've recently acquired a VoVox Textura XLR cable and put it between my Ayon Triton III integrated amp and Esoteric X-03 SE CDP which has upped the level again.

I was interested in your comments re positioning. I'm listening quite near field in a space 16' X 12' with the speakers on the long wall firing across the narrower width. Speakers are 6' apart tweeter to tweeter and 7' each from the listening chair, currently toed in at approx 25° angle each towards the chair. I did play around a bit before finally dropping the integral 4 spikes on each stand.  There is an arch behind me opening into a larger space 17' wide and 20' long into a bay window. The listening room is a solid floor hence my choice to use it for purpose (a major motivation for me when we bought the house 18yrs ago, I spotted the room potential immediately, luckily my wife loved the house in general!).

Yes, so I would be interested in your thoughts and experiences re positioning?