2. cables
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Cable "burning": Real or VooDoo ???

While i have my opinions on this subject, i'd love to hear from others that have tried various methods of "burning in" cables, what was used to do it, what differences were noticed ( if any ), etc... Please be as specific as possible. If your a "naysayer" in this area, please feel free to join in BUT have an open mind and keep this thread on topic. Sean
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sean

Showing 3 responses by sedond

sedond
1,391 posts
 
albert, i have a suspicion that stevemj's post *was*, in fact, in jest. ironic, that, as you show, it's actually what smart designers *do*. seems to me they know something *isn't* "technically perfect", as stevemj purports, if it in fact cannot accurately portray *the real event* of live music.

regards, doug s.

sedond
1,391 posts
 
hey 702, *relax* man, it's a *yoke*! as i said before: "sorry, couldn't resist."

seriously, tho, other than knowing ewe have contributed to the music scene, but knowing *nothing* about your tastes in music *or* equipment, my *yoke* has yust as much chance at being close to the truth as anyting else, for all i know...

regards, doug s.

sedond
1,391 posts
 
702 sez, among other tings:

"If you've listened to recordings, attended concerts, gone to films, seen a Broadway show, or watched TV in the past 20 years there's a good chance you've heard some things I've been a part of developing."

so *that* explains why there's etched highs, unnaturally forward midrange, over-boosted mid-bass, compressed dynamics, flat soundstage in so much commercial audio... ;~)

sorry, couldn't resist; doug s.

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