C-J Premier 12's vs. ARC VT100 MKII--advice?


I'm always thinking about upgrading something--you know how it is. An amp I always wanted to try is the Conrad Johnson Premier 12 monos-blocs. My question is, would they be an upgrade from my ARC VT100 MKII? The ARC is an excellent amp. However my impression from reading about the P12's is that they would probably sound more "lush", & possibly have a better soundstage & depth. Any comments? Used Premier 12's seem to be going for around $3500 used--they are discontinued--but being replaced by a new model (possible reason to hold off?)

Rest of my system: VTL TL2.5 preamp w/phono stage, Cary 303/200 CDP, Fanfare tuner, Rega P25 w/Benz Glider, alternating between B&W M802SIII & Merlin TSM-M speakers. Cables are Nordost Blue Heaven between CDP & pre-amp, & DH Labs bi-wire speaker cables.

Any advice would be appreciated, thanks!
steveaudio

Showing 1 response by piezo

I'm with Brulee on the CJs being too colored. In my amp search i listened to the 12s, the vt100, a pass 60 watter (forgot the number) an wound up with vtl 185's. A used pair of 185s should be in the $3k to $3.5k range. The VTLs are a tad warmer than the ARC, especially in triod. the bass remains very solid and tight, midrange is very lifelike and open, again especially in triode. soundstage is wonderfull but i think i'll blame that on my dunlavy's.

The tetrode/triode switch is a wonderful feature i don't think anyone else provides. For small group acoustic music triode provides a sence of realism that cannot be found in tetrode. Tetrode about doubles the power and provides the thump that's needed for orchestras and electric music.

as a comment to jayctoy's cable suggestions: i use the truth links on my system because of the bang for the buck being very high, especially on the 4m run i needed. The pro silways II worked well between the amp and the pre (VTL 5.5)in combination with truthlinks upstream, or between analog and the preamp. putting silways between digital (ARC CD-2) and the pre, however, was pretty harsh, to the point where the harshness could not be outweighted by the added airyness and detail the silways provide. bass is a bit tighter with the silways as well but not as deep.