Thanks for your advice--I have been looking at VH Audio's recipes--suppose I don't want a shield--do you then run a ground wire soldered end-to-end vs a floating shield soldered at the source end? And please explain what appears to be the preference for a smaller guage wire in these recipes.
Building balanced interconnects--ideas
Want to make ultra high-quality, 1.5 meter interconnects with Furutech rhodium XLRs. I am open to dielectrics--could use teflon or silk or cotton tubing over ohno continuous cast wire--this is a must-have, either copper or silver. This construction requires solid wire, but what gauges work best in terms of skin effect/time delays? Or, do you prefer stranded wire with a foamed teflon? I would prefer to not use a wire/metal shield. I am thinking a three-wire braid, each wire having its own Techflex carbon braided shield. Which ideas have you had better success with? What type of solder is best? I think we all want some answers and testimony about wire construction--let's lay it down!