Blind Listening Tests?


I would like help locating any articles or studies on the subject of blind listening tests as it relates to high end audio equipment. I realize this is akin to blasphemy for many who are into this hobby, however, the more times I read of people claiming to hear audible differences between certain components and system set-ups, the more skeptical I become.(e.g. equipment racks ,interconnects,etc.)The fact that virtually every major audio publication is so adamently against the idea only adds to my skepticism.

Before I invoke the wrath of this site's faithful, let me clarify that I am not doubting the sincerity of those who claim to hear sonic differences between certain components. However, believing that an audible difference exists when one knows that he is listening to a piece of equipment that is generally well regarded or made by a well respected manufacturer is entirely different from being able to detect the difference in a blind listening scenario. Given the undisputed connection between the mind and our perceptions, why is there so much sentiment against such tests? Couldn't the results of such testing be simply another piece of information that we could factor in to our purchasing decisions. It seems to me that those who are so sure of ther critical listening ability (i.e. all stereophile reviewers) should not hesitate to prove their skills.

I look forward to any help in directing me to more information on the subject.Thanks, Don.
dtittle

Showing 1 response by philiphansg71e6

Hi Don, I think your original thread is a very complex question to start with.
Audio Engineering Society 2000 November journal published an excellent paper written by Seymour Shlien, "Auditory Models for Gifted Listeners". The author introduced the subject about certain professions like musician, piano tuner, recording/mastering engineers whose job depend on their better than average hearing ability. What's significant to this Audiogon thread is that his test results on 14 subjects identified some outstanding listeners in having (if I may quote) ".. unusual ability to hear signals or discriminate small differences. This skill show itself among audiophiles or musicians who may be willing to spend significant resources in order to achieve the best audio reproduction quality. Though these listeners are hard to please, they are an important component of the audio consumer market, and some effort should be made to understand the reason for their special needs." The paper has real tables & charts, very scientific...
As an audiophile and AES member myself, after reading this paper i felt reassured and understand my hearing capabilty and needs better now. Don, you should also try to get hold of this AES issue. Regards Phil