Big Difference With New Source?


I am considering upgrading to a new cd player. My modest system has slowly come together and at this point I figure the cd source is the weakest link. Currently I have a NAD 541 w/hdcd. I am considering players in the $2k range from Linn, Cary, Rega, Naim among others. My question: What differences am I going to notice compared to my $500 player. Will there be a major, dramatic improvement or will the changes be more subtle. (Will I have to concentrate to hear the difference?) I would appreciate your opinion. --------PatrickSYSTEM: Bryston 3bst
VTL tube preamp
B&W CDM1nt
NAD 541 cd
ptm

Showing 2 responses by sean

My experience with digital front ends is probably similar to a few others out there.

I had started off with a cheap CD player many, many moons ago. Over the years, i had changed players. Sometimes out of wanting something new, sometimes out of having to replace a player that was "wounded". There were some subtle changes along the way, but nothing really major. Out of all honesty, i think that most of the improvements were simply due to the normal "trickle down effect" as digital technology has grown over the years.

All of that changed when i picked up a tubed DAC. While i had tried a few different SS DAC's before, i was not prepared for the difference in liquidity, increase in soundstage depth and air, separation of instruments, drastically increased "musicality" and overall improvement that came with the addition of the "antique" technologies known as tubes to the digital signal. It was by far the biggest step forward in digital that i had ever taken. There was no more digital glare or "sterility" that i had so often encountered in most digital recordings and presentations. Instead, there was music that flowed freely from my speakers like never before from a digital source.

I was overjoyed to say the least. I liked it so much i ended up buying three more tube based DAC's ( some 18 bit, some 24 bit ) for other systems. Along with that went the associated variations in tubes, etc... It was both fun and enlightening to see the differences that various makes of tubes could introduce into a system. I was in "digital bliss", or so i thought. Little did i know that this wasn't going to last as long as i would have thought.

One day a package showed up at my shop. It was a DAC that i had ordered months and months prior. While it was an SS unit, i was guaranteed that it would put my tubed DAC's to shame. I was told that i would have the speed, frequency extension and transparency of SS with the warmth, liquidity and natural presentation that tubes offered. If i didn't experience this, i was free to return the unit with no questions asked. Needless to say, i was both reluctant and excited at the same time.

Upon hooking the new SS DAC up, i was immediately aware of how precise and clean this unit sounded. Not only did notes pour forth with razor like precision, they did so as effortlessly as Nolan Ryan threw a fastball. The sound was pure yet had such a soft and liquid character with great extension at both ends. I new my "old flame" of a tubed DAC would seem like yesterday's news. That is, if i were to ever hook it back up. I did do that, but not for quite some time. The difference was so startling and instantaneous that it swept across me like a revelation sent from above.

The bottom line to all of this was that i had reached a plateau at one point. This took place after literally trying over a dozen different players, dac's, etc... from various manufacturers. I thought that i had reached a point that would be hard to surpass. Then, all of a sudden, something rose above that plateau to show me that there was the potential for better performance and increased enjoyment. Just as i had come to rest on what i thought was a pleasant plateau with my new-found love, another product awoke me from my slumber on that plateau to push me forward. While i have moved forward from that "push", i am now pretty content with what i currently have. That probably means that there is something coming my way shortly that will make me sit up and take notice. That is, IF i want to.

I'm sure that there are others out there with similar stories and experiences. As such, their system and yours will only evolve to the point that you want or will allow it to. Sometimes the step forward is very noticeable and quite large. Sometimes it is gradual and made up of a bunch of smaller steps. Either way, there is always new ground to be explored with most of it being at least "different" if not pleasurable. It all adds up to what most would consider to be an educational experience in what can be a very fun and enjoyable journey.

Do your homework, demo as much gear as possible and spend your money wisely. If you play your cards right, you can check out quite a bit of gear in your house / system without really losing money should you decide to keep rolling things over. Variety is the spice of life and i encourage you to partake of that "spice". Why settle for less when there is so much more out there : ) Sean
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Yes, Tim is right. While i had initial problems with my first EVS DAC and ended up returning it, it was a hard thing for me to do. I really liked this piece but the low level hum / buzz that i had in the system with it was annoying once i noticed it. Even with the barely audible buzz, my Brother's first words when hearing the Mill II ( for less than one minute !!! ) were "this sounds AWESOME !!!". The results were that noticeably improved over my previous tube based dac, which is now serving in one of my other systems. The tube based DAC retailed for 50% more than what the Millennium cost me. That does not include the tube upgrades and mods / tweaks that were done to it either. As you can see, price does not always equate with better performance.

As it turns out, the hum problem was elsewhere in the system. With the EVS being "tweaked out", it is quite sensitive the system that it is in. The EVS was transparent / sensitive enough to reveal such a problem whereas over a half dozen other DAC's had not exposed such a flaw. Probably because they weren't as revealing to begin with. Once i had gotten that problem tracked down, i ended up purchasing another Millennium II and have fallen back in love all over again.

My Brother also own an EVS DAC now, albeit an earlier model. After hearing mine, he decided that he wanted something similar. The results of installing one into his system provided the same "magic" that i had obtained in mine. We had to play around a little bit more with digital cables in his system, but we ended up where we wanted to go pretty easily. Like me, he has no intentions of doing any shopping for another digital source anytime soon. For the record, he had used four different "one box" players and two different DAC's in the last two years.

The trick is to find a component that is both revealing AND "musical" at the same time. Most lack in one aspect or the other or can provide both qualities but do so in limited quantity. It is the "limited quantity" of having both aspects that can make a component / system sound "good" but not quite pull you into the music full time. I've found the EVS to be capable of doing what i want it to do so long as the source feeding it ( transport / digital cable ) are up to snuff. I'm currently using the same transport ( with modifications ) that Bob Crump / John Curl use to demo their CTC gear with. As far as i know, this is also the same transport that Hovland uses as their reference at trade shows. Obviously, the rest of the system behind it has to be up to the same level of performance and i think that i've come pretty close to achieving that. Sean
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