This is the way to go if you can afford it.Biamping is the proper way of doing it.I am not a beliver in biwiring.Its not what its cracked up to be.I have been told that the New Rogue Tempest is set up to accept a Rogue 88 so you can Bi amp with this tube set up for under 3500.00
BI-AMPING
BI-AMPING IS THE TRUE WAY TO REALLY GOOD SOUND THE X-OVERS IN PRETTY MUCH ALL SPEAKERS OVERLOAD DISTORTING THE SIGNAL. ACTUALLY, ALL SPEAKER REVIEWS AND RATINGS ARE WORTHLESS UNLESS THEY ARE BI-AMPING,THEY ARE MERELY REPORTING THE COLORATIONS AND DISTORTIONS IN THE PASSIVE X-OVERS. CONSIDER THIS, BI-AMPING AND TRI-AMPING ARE THE INDUSTRY STANDARD IN RECORDED AND LIVE SOUND. SO, WOULDN'T IT MAKE SENSE FOR YOU TO DO THE SAME IN YOUR LISTENING ROOM/STUDIO? AS FAR AS UNITS THAT I WOULD RECOMMEND, FOR A DECENT PRICE THE BRYSTON 10B, IF YOU WANT TO AND CAN AFFORD IT, THE FM ACOUSTICS 236. SOME OF YOU MIGHT SAY THAT THE X-OVER (EVEN THE BEST UNITS SUCH AS THESE) COLORS THE SOUND, BUT REALLY, THE ADVANTAGES OUTWEIGH THE DISADVANTAGES. EACH DRIVER IS DRIVEN BY IT'S OWN AMP-DIRECT SIGNAL, YOU CAN'T BEAT THAT. I FEEL THAT THIS IS AN OVERLOOKED ISSUE THAT IS HORRENDOUSLY IGNORED BY THE PRESS AND THE PUBLIC ALIKE. YOU'RE A LOT BETTER OFF PAYING FOR ANOTHER STEREO AMP AND AN ACTIVE X-OVER THAN TRICK CABLES, SHUN MOOK CRAP, ROOM TUNES, CONES, DOMES, MARKERS, POWER LINE CONDITIONERS, AND ALL THAT OTHER very expensive GARBAGE THAT IS A BIG WASTE OF YOUR MONEY AND IS NOT EFFECTIVE. IF YOU DON'T BELEIVE ME ASK TOP DESIGNERS LIKE CHRIS RUSSELL OF BRYSTON, AT HEAR WHAT THEY TELL YOU.