Better story teller than Edmund Fitzgerald?

+1 for the song written by NEIL YOUNG, another proud Canadian 

GORDON LIGHTFOOT: “Canadian Railroad Trilogy”

WIKIPEDIA

"Canadian Railroad Trilogy" is a story song that was written, composed, and first performed in 1966 by Canadian singer-songwriter Gordon Lightfoot, who released his original recording of it in 1967. The song was commissioned by the Canadian Broadcasting Corporation (CBC) to celebrate the Canadian Centennial in 1967. "Canadian Railroad Trilogy" describes the building of the trans-Canada Canadian Pacific Railway, the construction work on which was completed in 1886. The CPR was incorporated in 1881.

Background

This song was commissioned from Lightfoot by the CBC for a special broadcast on January 1, 1967, to start Canada’s Centennial year. Writing and composing it took him three days.^[1]

It appeared on Lightfoot’s album The Way I Feel later in the same year along with the song "Crossroads," a shorter song of similar theme.^[2] The structure of the song, with a slow tempo section in the middle and faster paced sections at the beginning and end, was patterned more or less opposite to Bob Gibson’s and Hamilton Camp’s "Civil War Trilogy," famously recorded by The Limeliters on the 1963 live album Our Men In San Francisco. In the first section, the song picks up speed like a locomotive building up a head of steam.^[3]

While Lightfoot’s song echoes the optimism of the railroad age, it also chronicles the cost in sweat and blood of building "an iron road runnin’ from the sea to the sea." The slow middle section of the song is especially poignant, vividly describing the efforts and sorrows of the nameless and forgotten "navvies," whose manual labour actually built the railway.

Better than Gordon Lightfoot’sTHE WRECK OF THE EDMUND FITZGERALD …. no …. BUT another performance equal to it is by another proud Canadian singer, John McDermott in CHRISTMAS IN THE TRENCHES. ( on CD and live on YouTube)

WIKIPEDIA

a ballad about a true story in WW1 .Christmas in the Trenches" is a ballad from his CD.

It tells the story of the 1914 Christmas Truce between the British and German lines on the Western Front during the Great War from the perspective of a fictional British soldier. Although Francis Tolliver is a fictional character, the event depicted in the ballad is true. The song author John McCutcheon met some of the German soldiers involved in this Christmas story when he toured in Denmark.

The ballad is a first person narrative by Francis Tolliver, a fictional British soldier from Liverpool. He is relating the events that happened two years prior, while he was a soldier in the trenches of the Great War. He and his fellow soldiers are dug into their trench, where, as Tolliver relates, "the frost so bitter hung," while their German enemies occupy the trench at the opposite end of No Man’s Land. The scene is one of quiet and cold; "the frozen fields of France were still; no songs of peace were sung." The men are reflecting on how their families back in England are toasting "their brave and glorious lads so far away", when from the German lines they suddenly hear a young German voice singing out clearly. He is soon joined by his comrades, and the sound of their carol fills the empty fields devastated by war. When they finish, some of the British soldiers from Kent sing "God Rest Ye Merry Gentlemen," after which the Germans sing "Stille Nacht". The British soldiers accompany them, singing in English, "and in two tongues one song filled up the sky."

The British troops are startled when their front line sentry cries out that a lone German figure has left their trench and is marching alone across No Man’s Land, unarmed and with a truce flag. Though all of the men aim their rifles at him, nobody fires, and soon all of the men on both sides are leaving their trenches and meeting their enemies unarmed in No Man’s Land. There, they trade chocolate and cigarettes and exchange photographs of their families back home, at which all of the men are struck by how similar their enemy is to themselves.

One of the Germans plays his violin while a British soldier plays his squeezebox, and the men launch flares to light up the field in order to play a game of football. Later, with the first signs of daylight, Tolliver relates that "France was France once more; With sad farewells we each began to settle back to war."

But,the ballladeer sings, "the question haunted every man who lived that wondrous night; ’whose family have I fixed within my sight?’" It ends with the fictional Tolliver’s lessons gleaned from the experience; that "the ones who call the shots won’t be among the dead and lame- and on each end of the rifle we’re the same."

THE EAGLES from their tour, singing “HOLE INTHE WORLD ” about their heartache arising from 9-11 that interrupted their recording session personally and it expresses the angst and deep wound emotionally of all Americans ( and also to we Canadians who also suffered many lives lost in the fall of the Twin Towers in NYC ) arising from that day of infamy event.

GORDON   LIGHTFOOT - “Ghosts of Cape Horn”

from GordonLightfoot.com

1980 "Ghosts of Cape Horn" documentary film

September 23, 2011 — Another fan was looking for this film, and when he didn't find it he sent me an email. So, of course I looked for it for him, and - surprisingly - I found the entire film online at the National Sailing Hall of Fame website.

I had never seen it before, but - like any devoted Lightfoot fan - knew that the song, "Ghosts of Cape Horn", had been written for the film, as its title song. The documentary tells the story of sailing vessels making the trip around Cape Horn, before the Panama Canal was built. Like any Lightfoot story song, the lyrics tell a complex story in just a few minutes. The film runs approximately 55 minutes, and is now available at YouTUbe, from which it is displayed on this webpage.

The song was released on the 1980 album, Dream Street Rose 

Black Day in July " from the album "Did She Mention My Name" is about the race riots in Detroit in July 1967, with the anarchy reported on TV

In 1968, Gordon Lightfoot released a controversial song entitled “Black Day In July”; it was banned by multiple US radio stations.