Better Records vs MoFi


I’ve read about Better Records on the site. They listen to endless copies of records & separate out the amazing sounding pressings. I can understand because of many variables, some sound better than others. But, can a great sounding regular pressing sound better than a half speed master? Doesn’t a HSM have more music data on it?

I don’t want to go down a rabbit hole. If the BR premise holds up then there are certainly better pressings of Dark Side of the Moon etc. I’m not concerned with that. I’m also not interested in cost or “X sucks, I’d never buy one.”

tochsii

Showing 1 response by elliottbnewcombjr

Even though there are good, better, best, I can’t get into which pressing

but, after finding a performance of great musicians at the top of their game:

It’s the engineering, whether the people setting up the recording room, # and type and placement of mics; later decisions about imaging and volume levels,

’they sure knew what they were doing’ comes out of my brain/mouth when it’s great.

I’ve heard terrific musicians, great trios, different venues, awesome live recordings, some wandering imaging, some disappearing instruments, some drums right side then moved to center for solo.

The better your system ’images’ the better/worse is revealed.

When I inherited 4000 lps, I quickly divided them into two categories: sell/keep, blend with mine, pull more to sell.

If I saw Rudy Gelder’s name, KEEP!!!

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Other Opinions: Other great engineers (especially Jazz) ________?