As the title says, I am pondering my best options for purchasing a tube based preamp for $2k or under. Must have a remote!
Your opinions, thoughts, and expertise would be greatly appreciated. If I was spending more, I would know most of the best choices, but I'm on unfamiliar ground at this price limit. But sometimes, you can only do what you can do.
Anyone have experience with the somewhat new LAB 12 Pre1? Its gotten consistently excellent reviews. Its $2400.00 new and they sell for about $1700.00, used.
Herb Reichert, in Stereophile, said (in a comparison with two much more expensive preamps)
"I regard all three preamps as sitting at or near the leading edge of what's possible with line-level preamplification."
hilde45, thanks for that recommendation. Honestly, the DeHavilland UltraVerve III is at the top of my wish list. However, as you know, these only rarely pop up for sale, and the vast majority seem to be units without remote control. :(
Thanks also to those who have recommended Cary SLP-98's, another unit I was considering, though they seem to be selling a bit over my $3k limit. And the Modwright LS100 is also a great recommendation you provided. I once owned one, and would have no trouble buying another one.
Aric is a great guy, and makes wonderful stuff. I own one of his 300B power amps. But the preamp you recommended, while I am sure is outstanding, is $4200.00 new, and you could go years without finding one used.
To answer your questions, as noted in the title of this discussion, my max budget is $2k,
Yes, a remote is critical.
As for the Dehavilland pre's, I have not found anyone who has, has every heard of, or has any idea of how a remote could be added.
I only sold the Modwright due to a forced downsizing because of circumstances quite a few years back. It was an excellent unit. There was a specific combination of tubes that Dan told me took it to another level. I don't recall what those were. I am a big Modwright fan,and have spent a bit of time with Dan, phone and at shows.
And yes, the quad of 6SN7's that the Cary SLP-98 uses concerns me a bit because of what a costs for a nice quad of those NOS tubes.
Oh, and hilde45. Thanks VERY much for your perspective on that Quicksilver preamp. That sound signature is not what I'm seeking. That said, Mike isa great guy and has made some extremely nice power amps in his time.
I have to admit that I've never even heard of the Erhard Audio Preamps, but they certainly do look interesting. Not to mention two of you recommending them.
Underwood Hi-fi offers a real warranty if you buy Audio GD through them. They fix it in Georgia, US.
I have a friend in Chicago that loves his Audio GD that he bought from Wally. However, he has also told me that it only performs optimally with a balanced amplifier as it was designed for balanced operation.. My amplifier(s) are single ended only.
I don’t know if there is any flexibility in your budget, but if you look at the deHavilland website, I believe the current price for a new UltraVerve 3 preamp is $2495. I spoke to them a while back and I believe they now include the remote. I don’t have any first hand experience with it, but based on what I’ve read, I’ve considered buying it myself.
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Thanks. I thought they were out of business. I checked the website, and the UltraVerve 3 preamp, with remote, is $2995.00. Thats a grand over my budget and definitely not possible.
The problem is that if you buy from Japan, you have to use a step up transformer which negatively impacts audio quality. The only step up transformers that minimally impact audio quality are $1k or more.
I know the Suprateks are very good, and have been seriously considering them. The fact that they company has gone under is certainly an area for concern.
I have been thinking a lot about this Supratek. Great deal. They have always had great reviews and commentary about the products. My initial concern was I had believed that Mick had shut down the business. Which I still think he did, at some point. But mofimadness notes that he is back up and operating. Still, if there were issues, Australia is a long way to have to ship something. And I don’t have a good local tech to rely on. Closest is a five hour drive to Chicago. And in the end, the real deal breaker is no remote again :(
Just so you know, I am certainly paying attention to those of you recommending VTL preamps. I’m concerned about the age of the 2.5’s, though. I long ago heard a 5.5 in a system I knew and was extremely impressed. Those seem to be going for about $3k.
Currently there is a steal available on a 6.5, with superb NOS tubes, for only $2900.00. I might go on a three month Ramen noodle only diet, which I would need to do, to afford that, and grab that preamp, but he wants local pickup in San Diego. Aaaaargh!!!
I just realized that I had forgotten the VTL's are fully balanced. Both of my amplifiers are single ended only, so another option by the wayside. Oh well, the search continues.
There are some out there now and they have great resale potential so if you can get one at $2k, you could always sell if you changed your mind
Good point, and fine units. But if I recall correctly, they are from the period where Audio research started working very hard to make their tubed electronics sound like solid state. I need a bit of warmth in whatever preamp I buy, that's why I choose to use tubes. I did look, though, and $2600 or so seems to be about the bottom pricing on those.
For what it’s worth, I had an Audio Research SP-16 and a brand new Schiit Freya + for about 3 months. I did some critical listening and some tube rolling with both. I ended up selling the Audio Research. The 6sn7 tubes were just better to my ears. And when tube rolling, the 6sn7’s made a huge difference in sound. I ended up with 2 NOS GE’s in the buffer stage and NOS Ken rads in the gain stage. A sweet Lucious tube sound. Plus it had XLR’s out for my Krell amp. The Audio Research sounded decent but it was single ended, and new production tubes versus NOS tubes didn’t really make a major difference in sound.
Really interesting comparison Robby. Thanks. The sound signature you describe is right up my alley. Certainly food for thought. And I know Mike Moffat a bit, and always enjoy supporting his efforts. I just realized, from re-reading your comments, that the Freya preamp is a fully balanced unit. Which, unfortunately,as noted in my response about the VTL’s, is an issue.
@steakster is 110% right. That Audio Horizons preamp is going to be a best buy for sound quality based on your budget. I owned one much like that one as well as many other tube preamps with retail prices up to $12,0000. The AH is the best of the bunch with with exception being the TRL Dude completely tricked out.
Bill, coming from you, that means a great deal. Thank to you I have the worlds greatest value in DAC's. And you certainly know audio equipment.
Bill, can you give me any sense of the Audio Horizon's tonal tendencies?
As I noted earlier in this discussion, I love the bit of warmth, depth and richness which a good tube design can bring, without being at the expense of clarity and presenting all the elements of the musical performance.
I wanted to take the time to sincerely thank everyone for their recommendations and advice. Each one of your suggestions was appreciated. In some cases, such as the Modwright LS100, and a number of others, while I was leaning heavily towards those options, I could find none available that weren't considerably above my $2k budget.
Sometimes solutions pop up out of nowhere. I was just able to purchase a wonderful preamp made by Triode Lab in Canada, the Triode Lab Au preamp. I've long been an admirer of their products, and I was able to purchase it a great price from the original owner, including a complete set of NOS Mullard tubes. It sounds superb with my Aric Audio 300B SET power amp, in my system and all would be well. Except, and there is a BIG except.
I had mentioned when I began this discussion that remote control was a requirement, and it was. The equipment is in a rack across the room and, to even attempt to access it, it requires not only going all the way across the room, but also, first negotiating my way out from behind a large desk which involves very tight quarters. Add in that I have somewhat limited mobility due to two bad knees, and you can see why remote control was a necessity.
While reading through (and occasionally re-reading) all of the comments in this discussion I noted a couple people who mentioned that they had overcome the need for a remote by using volume controls built into their streaming software. All of a sudden, I thought I could go the same route, as I exclusively use Roon, and I firmly believed that it also offered volume control. I was further convinced as, when I used my iPad Pro to connect to Roon in a small system at our family place up north, there is clearly a very good volume control. I "thought" that volume control was being provided by Roon, but have now learned that it is provided by the iPad when connected to Roon. Roon, does not appear to offer any means of volume control other than via DSP, and obviously, neither my preamp, or anything in my system supports that. So, despite the great sound and performance I am getting from I have apparently completely botched things up since there is no remote way to control the preamp, as I mistakenly thought. It's pretty clear 6that I have made a major mistake that will be very difficult to rectify.
Also impacted is something I had just decided to do to assemble a dream electronics pairing. Years ago, while in Montreal at an audio show, I hear the very Triode labs preamp that I now own, paired with a set of Triose Lab's monoblocks. The sound was absolutely magical, through a pair of high efficiency speakers that I had some familiarity with. The longer I listened, the more heartbreakingly beautiful the sound was, listening to my selection of test tracks. Just this past weekend, I received a very nice influx of cash from an old friend paying off a debt of quite a few years ago. That would set me up top buy a pair of lovely Triode Lab monoblocks on the occasion when they appear, and at a semi reasonable price. I refer to amps from a few years back, not to much the very high end offerings they seem to have mostly been concentrating on recently. But the lack of remote situation seems to have also likely scuttled that dream.
I truly believed that Roon offered volume control, and I made a major mistake, and now will be paying the price.
At any rate, the failure was all mine, but I wanted to again thank everyone for taking the time to contribute to my preamp journey. It's endlessly appreciated.
Sorry, just read your last post...I'm sure the triode sounds amazing, sucks about the remote situation though.
I just suggested the Pre1, which I actually have paired with a triode labs parallel 2a3. Sounds fantastic together. I've decided to sell the triode labs though, as I'm sticking with all lab12 (modified).
Is that the VERY expensive Triode Labs Parallel 2a3 monoblocks that you have? I've heard those are simply amazing.
Great news! A friend put me in touch with someone who works for Roon. Turns out there is an uncommonly used way of using Roon to control volume, and he helped me set it up. All is now well with the preamp I purchased!
I have some awareness of how exceptional the Joule stuff is. Congrats on owning one of the rare, and superb LA-300's. I do now have a quality preamp that I am more than happy with. I just need a reasonably priced Triode Lab amp or pair of mono-blocks to pair with it. I missed out on the one superchunk sold, apparently overnight. :(
The Joule amps also have always intrigued me, but I don't believe they are as reliable as the pre's? Also, size would probably be an issue for my installation.
I just have to hope the right Triode Lab power amp(s) appears while I am still alive....lol
superchunk, I just saw the ad for your Triode Lab 2a3 power amp this morning, on Canuck Audio Mart. I was waiting for the pictures you said were coming, but decided not to wait, and I was replying to it, and ready to buy it, also suggested a pickup point midway between us, but when I tried to send it, it said you were not accepting replies. Next thing I know, the page updated and I learned it was sold. I am severely disappointed :(
But best of luck with your DIY efforts going forward.
Don't forget Joule Electra. Jud is gone but Rich at Signature Sound can repair/upgrade as needed, but they are as reliable as tanks. Used LA-150s rarely come up for sale but, given that the company is no longer in business, you can get used joule gear at steep discounts when it does come up. I happily ran a 150 for years before upgrading to a LA-300, truly and end game preamp.
The Joule gear is quite special.
I have a 150 in my closet. If any interest, feel free to send me a message.
If I had seen your comment before I bought the Triode Labs Au Pre, I absolutely would have been in contact. Thanks for making me aware.
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