I lately discovered Chris Whitley's posthumous 2006 release "Dislocation Blues." This together with "Soft Dangerous Shores"(2005) testify to the artist's compositional power & Hendrix-like guitar work, filtered through the electric steel National guitar. An amazing career arc since the early 90's (high points include "Living with the Law," "Din of Ecstasy", and "Rocket House"), cruelly cut short by filterless cigarettes.