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Best of 2014 so far with bitchin soundstage?

Okay so I know that this thread (best 2014) has been started before and I even picked up two of the releases mentioned. But here's the thing, I don't know what the deal is but at least half of what I've picked out(new) recently is centered between my speakers. Occasionally War on Drugs electronic atmoshpherics can fill out my room but man with the the exception of the occasional flourish it's right down the middle. Its so dissapointing to me mainly because I like the music Im hearing. Is music produced/mastered to/by listen(ing) through headphones possibly(which I don't have) or something. I think that would help me appreciate this kind of center filled presentation more with headphones but I really dont know for sure. Lee Scratch Perry's new one, Back on the Controls, same thing. Neko Case's new one similar presentation but better than some other releases :, ( Sunken Condos is approaching similiarI production as well. Another hyped release was Benmost Tench with an alleged analog recording chain, yada yada etc. Meh. I just upgraded my preamp so this might help on this one. It sure did with Anastasis- my god!-so that's how it should sound. This is just to name a few to let you know I am trying. Is it that two channel listening is not considered when producing because everyone is listening through ipods or whatever. I know my system doesn't suck-that's not it. Am I going to have to resign myself to those rare gems that I stumble on here and there or the the "audiophile" usual suspects. Why, why, why does this need to be the case. Is it more expensive, I mean who wouldn't want thier stuff to sound fking good on a good stereo? Its infuriating and what keeps me searching, which is part of the fun, but still music especially vinyl aint' cheap. I have been pleasantly surprised by decently priced Blue Note, Riverside, etc. rereleases though. This stuff was done right the first time around though. Anybody else feel me. Please suggestions of new music that is wonderfully produced. Maybe I'm new to the game is all and this is just the way it's been and always will be. I'll say this though alot of records from the old days 70's, and before, are predominatly better sounding. 80's to are not bad in some cases I've noticed. Thanks
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fourwnds OP
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Ojgalli, thanks for your response.

It doesn't have the acoustic information needed to recreate a natural sound-field with the width, depth, and height you want to hear.

But, while informative what I want to hear is not just true stereo. That has it's place and time and listen to my Jazz records for this I guess. What I don't want to hear is an image bewtween my speakers that doesn't seem to be between them so narrowly. That seems to be the sound coming out of some newer(as in release times) records. Why is this I ask?

Ratbb2, thank you as well, I like it when my speakers dissappear and players have space and my new tube pre has helped considerably with this. Its just that some records have this, well, I have described it already. Is my VTA Correct ? I've given my best and neutral (level) seems to be best last time I messed with it when my old pre was in. That would be really cool to ba able to adjust this on the fly with all the differences in thickness. When I put on say Warnes-The Hunter, Dead Can Dance-Anastasis, my whole room is part of my sound-the speakers are not totally gone but the effect is basically there. Then I put on Jim Hall's-Concerto and man I had to call to complain, it was like mono. (real bummer here) Real Estate-Atlas another one. On the other hand Cat Stevens-Izitso, just wonderful! Also, Iron and Wine's-Kiss Eachother Clean( newer modern release btw) also wonderful. So what gives there seems to be some anomalies that just don't make sense.
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