Hi Doug. Remember this used-to-be-fellow-ET8 owner from the Planar Speaker Asylum? I still have and love mine; see my system.
I have one track that I always use to evaluate audio systems. It's Classical, but it's short so you can probably stand it. :-) Gustav Holst, The Planets, Suite for Large Orchestra. Adrian Boult conducting the LPO, on EMI. For you LPists, it's ASD 3649. The preferred CD is CDM 7 64748 2 which is also numbered 0777 7 64743 2 3 on the spine; a current reissue is 7243 5 67749 2 6, but I don't like this one as much because it has the Enigma Variations 1st.
This is one of the Bishop/Parker team's very best recordings, done in EMI's large Abbey Rd. studio. It's wide and deep but also a little bright. The most-revealing track for me is 6, Uranus. It includes a pair of oboes didling about, a slightly multimonomiced tymp set at about 12:15, and a HUGE bassdrum at about 2 minutes. The bassdrum's fundamental is in the 40Hz third-octave while its reverb is in the 25Hz third-octave. This cut will tell you how a system presents intrumental images, how it reproduces a huge soundstage, how it colors (or doesn't) the sound of not-closely-miced orchestral instuments, and how it reproduces the entire bottom octave.
The 4th movement starts with a very quick melody played by the 3 high-string sections. The 1st starts at about 1:30 o'clock, the 2nd at about 11:30 and the third, the 1st violins, at about 11 o'clock.
Try it; you may love it.
.
I have one track that I always use to evaluate audio systems. It's Classical, but it's short so you can probably stand it. :-) Gustav Holst, The Planets, Suite for Large Orchestra. Adrian Boult conducting the LPO, on EMI. For you LPists, it's ASD 3649. The preferred CD is CDM 7 64748 2 which is also numbered 0777 7 64743 2 3 on the spine; a current reissue is 7243 5 67749 2 6, but I don't like this one as much because it has the Enigma Variations 1st.
This is one of the Bishop/Parker team's very best recordings, done in EMI's large Abbey Rd. studio. It's wide and deep but also a little bright. The most-revealing track for me is 6, Uranus. It includes a pair of oboes didling about, a slightly multimonomiced tymp set at about 12:15, and a HUGE bassdrum at about 2 minutes. The bassdrum's fundamental is in the 40Hz third-octave while its reverb is in the 25Hz third-octave. This cut will tell you how a system presents intrumental images, how it reproduces a huge soundstage, how it colors (or doesn't) the sound of not-closely-miced orchestral instuments, and how it reproduces the entire bottom octave.
The 4th movement starts with a very quick melody played by the 3 high-string sections. The 1st starts at about 1:30 o'clock, the 2nd at about 11:30 and the third, the 1st violins, at about 11 o'clock.
Try it; you may love it.
.