Best Electrostatic loudspeaker?


Many of us have found that nothing make the magic happen like a pair of Electrostatics. It's been an evolutionary road for me, starting with various dynamic systems, then ribbon/dynamic hybrids, then full range planar magnetics (Maggies), then Electrostatics. So those of you with experience in Electrostatics, which do you think is (are) the best designed and executed example(s) of the breed?
captain_imho

Showing 3 responses by audiokinesis

To Carl_eber: Could you e-mail me which amplifiers you heard the Sound Labs with in your 2-23-00 post? I am a new Sound Lab dealer and am trying to learn which amplifiers work well with Sound Labs and which ones do not, and obviously you heard an amp which did not. The choice of amplifier is crucial with Sound Labs. You would be helping me a great deal by sharing your experience with me. My address is audiokinesis@home.com. Thank you.
Tekunda -

As you have observed, there is a wide range of opinions on the Martin-Logans, with some people loving them and some coming down on them pretty hard. This may sound strange, but I don't think the speakers are at fault - and I'd like to offer a possible explanation.

With the Martin Logan hybrids, you have to get the model that's voiced for your size room because the tonal balance of the speaker is dependent on the room size (and also listening distance). And it's the dealer's job to see to it that the speakers match the customer's room. Let me explain why this is so critical:

Sound pressure level falls off more rapidly with distance from a point source (the woofer) than from a line source (which the electrostatic panel approximates). Mathematically, sound pressure level falls off with the square of distance from a true point source, and linearly with distance from a true line source. So if we had a hybrid voiced to be flat at 1 meter, back at 10 meters the output from the panel would be 10 dB louder than from the woofer (assuming anechoic conditions and a true line source and point source - if you'd like me to go through this in more detail I will). In the real world the reverberant field fills things in a bit, but I once measured a hybrid electrostat that had the woofer up by 1 dB at 1 meter, then was flat at 3 meters, and then the panel was up by 4 dB back at 8 meters. So you see, listening distance and room size would have a very significant impact on how the system sounded.

The hybrid systems from InnerSound and Sound Lab have provisions for fine-tuning the relative level of panel and woofer, and so they work well in a wide variety of rooms. With the Martins and their wide selection, the idea is to get the speaker that's voiced for that size room. Note that another line source/point source hybrid that gets strongly opinionated reviews (pro and con) is the Newform R645, which also lacks level adjustments.

I'd be willing to bet that most of the strongly negative consumer reviews of the Martin hybrids arise from using too small a speaker for the room (resulting in weak bass/bright or thin sound) or too big a speaker for the room (resulting in thickened, sluggish bass and/or dull, lifeless sound). In support of this theory, note that people pretty much agree on what Maggies, or Sound Labs, or Quads, or even Martin CLS's sound like. But people don't generally agree on what the Martin hybrids sound like because their tonal balance is significantly more room-dependent.