Behringer DEQ2496 - worth using in hi-end system?


I am considering trying it in a digital chain. I want to correct for room and any system internal dependencies. I am tired of using cables as tone controls, there has to be something better to make those minimal changes.

I am looking for opinions and short system desriptions.
spraglow
Yes, a little "work" to set up, but not so much trouble to use. I probably will only have a treble boost, a bass boost, and a warmth boost as tone controls. (Those boost modules can function inversely as cuts, since the DEQ allows you to subtract preset eq curves, as well as add them.) I know which recordings are in serious need of general help in those areas; I'm not going to fine tune an eq curve for each one. And I can easily enjoy the variety of tonal approaches that most of my albums present without treatment other than my default room equalization.

A remote control to manage the presets and the Compare and Bypass functions would be outstanding.

The flashing of the clipping indicator is kind of puzzling. I'm using the DEQ only in its digital stages. I should see if different sources change this behavior. Right now I've got an Airport Express feeding a Monarchy DIP that plugs into the DEQ. The DIP boosts the digital signal. Could this be too much of a good thing? I'll experiment tomorrow.
Sounds like you're having fun, Jayboard. The flashing of the indicator when eq is switched in is because the boosted bands go beyond "digital zero." You can adjust gain of the eq module ("gain offset" in the utility menu) to prevent this - I have mine set to -2dB - but I don't hear any problems when the clipping indicator flashes occasionally. Probably there is a safety margin built in, since this is designed for pro use, and many pros use occasional "in the red" as an indicator that they've set the maximum safe level.

I believe the DIP boosts the voltage swing of the digital signal, not the the digitally-encoded level itself, so I don't think that is the issue.

Remote would be great, as would a few other conveniences (e.g., level control on the analog input, coax input, more inputs), but then I suppose the price would go up ..
OK guys...I give. Where does one buy one of these things? I saw the reviewer at enjoy the music.com said he has seen these things at 50% off list price "on the street".

Thanks for the help.

Gregg
I got mine at samedaymusic.com. Don't forget you need the mic and a cable for the mic.
Any pro music shop has them. Best prices are probably found doing a google. Like the above guy states you definitely want the ECM8000 microphone. While you're waiting to get it being as nobody else has mentioned it, download the manual and read it a couple of times.

This thing has way more power than one needs for home stereo. Also if you use the auto eq function you are able to set the curve and the amount of adjustment you're allowing the Behringer to do. You don't want to go over about 5-6 db imo of boost and cuts and less is better. Also you want the curve set so the lower end say to 300 or so is boosted a couple of db and the high end over say 2khz has a gentle slope going to 20khz. This is what sounds most natural to most people. Once the auto eq finishes you can use the parametric equalizer to fine tune if you like. The 31 band graphic eq is what is used in the auto mode.

This is the best tweak for the money made imo. For only 300 with a mike if anyone knows of something even close I'd like to know what it is.