"When you are able to create diversity in stage height the music comes to you differently."
I actually agree. And getting proper vibration isolation under the source components especially and hopefully under EVERYTHING will go a long way in achieving the ever expanding sphere of the recording venue, what we commonly call soundstage, including the dimension of height, do often missing in action. In fact, what's revealed eventually, after much aftermarket puttering around, is how well organized and de-interleaved everything is.
