B&K vs Adcom – opinions please


I 'm looking to put together a 2-channel system with used mid-90s gear – either an Adcom GFA545 amp/GTP500II preamp-tuner or a B&K ST1400 amp (non-series II)/AVP1000 preamp-tuner. Each setup costs about the same. They will be used to drive a pair of bi-wired floorstanding 2-way speakers with 10” drivers and ribbon tweeters. I am looking for tight and full bass, good soundstage, and accurate highs for day in and day out listening. I listen to a range of music – jazz, rock, classical, vocals. I’d appreciate opinions on which amplification setup will give me better sound. Thanks for your help.
harpodog
I agree with Infinitebaffle (Great User Name!). Rx8man the B&K M series are a different animal than the B&K ST series. Many people prefer the older 3 digit B&K ST amps over the newer 4 digit B&K ST amps, and the original 70 watt ST-140 in particular. The Adcom's can handle lower impedance loads easier than the B&K ST series. The M series can handle almost anything thrown at them. I suggest you look in the archives on this matter. Amongst the many valued opinions you'll find some good advise from Sean.
Yes I did Unsound, your right about the older series vs. the newer & Sean's opinions, he's knowledgeable.
Thanks to everyone for all the replies - maybe I need to provide more information. I already have the Adcom 535 and the 500mkII preamp/tuner. I recently biwired my Linaeum model 8 speakers - an obscure discontinued US company that made quality ribbon speakers in the mid-90s ($3K) that are smooth with good bottom end - to the two sets of terminals on the 535 and found a big improvement. Thus I began to think of an amp/preamp upgrade with more power and definition to make my speakers and music really sing in our 25x15 living room. The speakers can likely handle a bit of brightness. On a sparse budget I figured I'd move up to more power in a 545 or 555, or go for the similar setup from B&K, which is presently being offered on Audiogon. I have also considered cheap used integrated amps, such as an Acurus DIA 100, Audiolab 8000, Onix 120 - the list keeps growing and I keep coming back to sticking with what I have. The Creek 5350 is too expensive, the 4330 is too underpowered. I also use the tuner in the GTP500, only really need a CD input, can forego a remote and everything other than a volume control, and have kids, pets, and a wood stove. I don't think I want to venture into tubes, but I do think I want to biwire, as it seems to make a difference. My source, cables, and interconnects are mediocre at best (Marantz, Tara, ?) - an audiophile's nightmare perhaps. I am open and curious to all opinions about whether I should move on from my Adcom gear, and what to - perhaps the B&K is only a sideways move. Thanks.
Hi Hapdog,Looking at your system, it reminded me of a very similar set up I had. It consisted of a Marantz CD player,Hafler 945 Pre amp, Adcom 555 Amp, and Apogee Ribbon/cone speakers it was my first serious rig. At the time I had read many rave reviews about the adcom, so I tracked down a used one. When first heard it I was so disappointed I almost gave up this whole hobby thinking it was just hype or some minor difference in gear that was glorified. With the Adcom driving the speakers the sound was cold and lifeless. Part of the broblem was my speakers are a little bright in the treble added to that was the adcom's tizzy treble and hard midrange. Ribbons are very sensitive to brightness. When I upgraded to a krell amp the difference the detail, depth and involvement was dramatic. Escpecially the soundstaging depth the soundstage extended to the rear another 5 feet or so. Also the seperation of instruments. If you could spend a little more I would go with a used Krell ksa 100, they are so much more refined will match well with your ribbons. They are available for about $1200 and worth it in the long run. Later if your budget allows get a used VTL delux preamp ($400) used) and wow you very a very musical system.Looking back I would have saved so much money buying these component in the first place.Good luck
Thanks for the kind words. I know that i come across as an "opinionated bastard" many times ( and i am ), but i'm glad to see that some folks understand that i'm doing what i can to help others. Hopefully, folks will realize that others may have similar or contrasting points of view / experiences and decide for themselves via their own ears and experience as to what will work best for them. Nobody can tell you what you like better than yourself.

Having said that and if it were my system and i was working on a budget, i would probably pick up another Adcom 535 and look for a more suitable preamp. I suggest this approach for several reasons.

First of all, the 535 is probably one of the two best sounding amps that Adcom has ever made. Not only will you get the benefits of bi-wiring, you'll get the benefits of bi-amping. This approach will double your power capacity, open up the top end, increase midrange liquidity and improve bottom end response and it will do all of this while maintaining the tonal qualities of the system that you are already familiar with. The best part about this is that it will do all of this for an investment of well under $200, which is hard to beat. Since you've already got speaker cables that are capable of bi-wiring, all you would need is another set of interconnects to feed to the second amp.

As far as my suggestion to invest the difference in a more suitable preamp, my experience has been that the Adcom Tuner / Pre's are pretty lacking in sonic performance. These were built as more a matter of convenience and marketing than out-right performance. Going to a better preamp would really let you see what a pair of the little 535's could do in terms of finesse and musicality.

As a side note, you could continue to make use of the tuner in the 500 Mk II or sell that and put those funds towards a good yet inexpensive tuner and possibly some improved cabling. Sean
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